ENGLISH

Werewolves, Wolves and the Gothic

Book information

Publisher
University of Wales Press
Year
2017
ISBN
1786831023, 9781786831026
Language
english
Format
PDF
Filesize
8 MB (8237789 bytes)
Series
Gothic Literary Studies
Pages
304\296
Time added
2022-12-26 14:05:33

Description

Wolves are familiar figures in the Gothic imagination, creatures of pure animality that, when combined with the human in the form of the werewolf,  offer powerful opportunities to explore complicated anxieties surrounding difference. This is the first volume that deals with the appearance of werewolves and wolves in literary and cultural texts from the mid-nineteenth century to the present. Drawing on representations of werewolves and wolves in literature, film, television, and visual culture, the essays investigate the key texts of the lycanthropic canon alongside lesser-known works from the 1890s to the present. The result is an innovative study that is both theoretically aware and historically nuanced, featuring an international list of established and emerging scholars based in Britain, Europe, North America, and Australia. Contents Acknowledgements List of Contributors List of Illustrations Introduction • Robert McKay and John Miller Social Anxieties 1 Like Father Like Son: Wolf-Men, Paternity and the Male Gothic • Hannah Priest 2 Wicked Wolf-Women and Shaggy Suffragettes: Lycanthropic Femmes Fatales in the Victorian and Edwardian Eras • Jazmina Cininas 3 Postcolonial Vanishings: Wolves, American Indians and Contemporary Werewolves • Michelle Nicole Boyer 4 The Good, the Bad and the Ubernatural: The Other(ed) Werewolf in Twilight • Roman Bartosch and Celestine Caruso 5 ‘Becoming woman’/Becoming Wolf: Girl Power and the Monstrous Feminine in the Ginger Snaps Trilogy • Batia Boe Stolar Species Troubles 6 ‘Something that is either werewolf or vampire’: Interrogating the Lupine Nature of Bram Stoker’s Dracula • Kaja Franck 7 Saki, Nietzsche and the Superwolf • John Miller 8 A Vegetarian Diet for the Were-Wolf Hunger of Capital: Leftist and Pro-animal Thought in Guy Endore’s The Werewolf of Paris • Robert McKay 9 Everybody Eats Somebody: Angela Carter’s Wolfish Ecology • Margot Young 10 ‘But by Blood No Wolf Am I’: Language and Agency, Instinct and Essence – Transcending Antinomies in Maggie Stiefvater’s Shiver Series • Bill Hughes 11 Transforming the Big Bad Wolf: Redefining the Werewolf through Grimm and Fables • Matthew Lerberg Index

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