Postcinematic Vision: The Coevolution of Moving-Image Media and the Spectator (Posthumanities)

Description

Cover Half Title Title Copyright Contents Introduction Moving-Image Media and Embodied Spectatorship Media Convergence and Remediation 1 Film and the Embodied Mind Technogenesis: The Coevolution of the Biological and Technological The Phatic Image of Cinema—Reassessed “Consciousness Is an Epiphenomenon” Dual Temporalities of Media and the Mind Postcinematic Reflections on Spectatorship 2 1900: Film Transforms the Media Landscape Film as Prosthetic Visual Consciousness Mechanized Culture and the Moving Image Remediation: The Convergence of Film and Writing Film and the Tyranny of Writing: Franz Kafka 3 2000: Cinema and the Digital Image Intermedial Constructions of Cinema’s Virtual Reality Digital Mediations of Movement, Space, and Time Cinema and Singular Consciousness Conclusion Notes Bibliography Index A B C D E F G H I J K L M N O P R S T U V Z