Music and Mathematics
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Front matter (“Sommaire”), p. 1 Free Access Music and Model in the Renaissance, p. 9 Philippe Vendrix https://doi.org/10.1484/M.EM-EB.3.3278 Ratios and Music in the Late Middle Ages: a Preliminary Survey, p. 23 Oscar João Abdounur https://doi.org/10.1484/M.EM-EB.3.3279 Music, Mathematics, and the Rejection of Pansemioticism in the Renaissance, p. 71 Dorit Tanay, Raz Chen-Morris https://doi.org/10.1484/M.EM-EB.3.3280 Qu’entend-on par «nombre sourd»?, p. 97 Brigitte Van Wymeersch https://doi.org/10.1484/M.EM-EB.3.3281 Music, Mathematics, and Æsthetics: the Case of the Visual Arts in the Renaissance, p. 111 Ann E. Moyer https://doi.org/10.1484/M.EM-EB.3.3282 Le passioni e i numeri, p. 147 Brenno Boccadoro https://doi.org/10.1484/M.EM-EB.3.3283 Corpo sonoro, geometria e temperamenti. Zarlino e la crisi del fondamento numerico della musica, p. 185 Guido Mambella https://doi.org/10.1484/M.EM-EB.3.3284 Applications of Mathematic and Geometry in Galilei’s Dialogo of 1581, p. 235 Claude V. Palisca https://doi.org/10.1484/M.EM-EB.3.3285 Simon Stevin and the Calculation of Equal Temperament, p. 253 Rudolf Rasch https://doi.org/10.1484/M.EM-EB.3.3286 Il Rinascimento dopo il Rinascimento: scientia musicæ e musica scientia nella Musica di Juan Carmuel Lobkowitz, p. 321 Daniele Sabaino https://doi.org/10.1484/M.EM-EB.3.3287 Tempérament mésotonique et représentation, p. 363 Gérard Bougeret https://doi.org/10.1484/M.EM-EB.3.3288 Back matter (“Index”), p. 393
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