Female Sexuality in Modernist Fiction: Literary Techniques for Making Women Artists
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Description
Cover Half Title Series Information Title Page Copyright Page Dedication Table of contents Introduction: Makeup artists and characters: Woolf, Yeats, Joyce, Beckett, and their literary fictions Notes 1 Clothing and the female body in Woolf’s Orlando Notes 2 Yeats’ female forms and poetic figures Section 1: artistic expression Section 2: dancer imagery Section 3: embodying knowledge Section 4: baptism of the sewer Notes 3 Joyce’s portrait of the artist as a young girl Section 1: Pépette’s Vanity Table and the Reign of Nuvoletta Section 2: Issy takes a (rain)bow at the playhouse Section 3: sexed education: Issy’s nightlesson in systemic inequality Section 4: the “sacred virginity” and nosepaper of a queen bee Notes 4 Playing the (body) part in Beckett’s theater Section 1: trapped, talking heads in Play and Happy Days Part 1, Play Part 2, Happy Days Section 2: “motionless” mouth speaks in Not I Section 3: the punctuating rhythms of Footfalls and Rockaby Part 1, Footfalls Part 2, Rockaby Notes Conclusion: The woman made-up Bibliography Index
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