ENGLISH

Made in Nusantara: Studies in Popular Music

By Adil Johan , Mayco A. Santaella

Book information

Publisher
Routledge
Year
2021
ISBN
9780367428464, 9780367428471, 9780367855529
Language
english
Format
PDF
Filesize
84 MB (87612919 bytes)
Series
Routledge Global Popular Music Series
Pages
\265
Time added
2021-08-19 03:26:34

Description

Made in Nusantara serves as a comprehensive introduction to the history, sociology, ethnography, and musicology of historical and contemporary popular music in maritime Southeast Asia. Each essay covers major figures, styles, and social contexts of genres of a popular nature in the Nusantara region including Malaysia, Indonesia, Brunei, Singapore, and the Philippines. Through a critical investigation of specific genres and their spaces of performance, production, and consumption, the volume is organised into four thematic areas: 1) issues in Nusantara popular music; 2) history; 3) artists and genres; and 4) national vs. local industries. Written by scholars working in the region, Made in Nusantara brings local perspectives to the history and analysis of popular music and critically considers conceptualisations developed in the West, rendering it an intriguing read for students and scholars of popular and global music. Cover Half Title Series Page Title Page Copyright Page Dedication Table of Contents List of Figures Preface Acknowledgements Introduction: Popular Music as a Means of Conceptualising the Nusantara Part I Issues in Nusantara Popular Music Chapter 1 Revisiting the “Traditional” and the “Popular” in Maritime Southeast Asia: Towards a Nusantara Popular Praxis Chapter 2 Colonialism and Identity: A Short History of Popular Music in the Philippines Chapter 3 The (De-) and (Re-) Mythification of OPM: Decentring a Popular Music Sign Chapter 4 Popularising Malaysian Cultures through the Music Industry and Music Education Part II History Chapter 5 Revisiting Post-Cultural Imperialism: Singing Vernacular Modernity and Hybridity through the Lagu Melayu in British Malaya Chapter 6 Acoustic Epistemologies and Early Sound Recordings in the Nusantara Region: Phonography, Archive, and the Birth of Ethnomusicology Chapter 7 Bodabil Music in the Rise of the American Empire Chapter 8 Songs for and of the Youth: Mapping Trends in Philippine Popular Music, 1900–2000 Part III Artists and Genres Chapter 9 Singapore Arts Icon or Malay Nationalist?: Mobilising Zubir Said Across the Causeway1 Chapter 10 The Popularisation and Contestation of Dangdut Koplo in the Indonesian Music Industry Chapter 11 KL Sing Song: Alternative Voices in the Kuala Lumpur Singer-Songwriter Circuit (2000–2009) Chapter 12 Hijrah and the Rise of Nasyid Kontemporari in Malaysia Part IV National vs. Local Industries Chapter 13 Branding the Nation through Ahmad Nawab’s “Malaysia Truly Asia” Chapter 14 The Indonesian Popular Music Industry: Navigating Shadows of Politics and Cultural Uncertainty Chapter 15 More than Mimicry: Alternative Modernities in the Birth and Development of Iban Popular Music Chapter 16 Transcultural Commodities: A Comparative Analysis of Sama-Bajau Popular Musics in Maritime Southeast Asia CODA: Global Movements, Local Sounds: Nusantara Music and Artists Overseas Aferword: Bercerita (Sharing Stories) with M. Nasir, Joey Ayala, Dwiki Dharmawan, and Pra Budi Dharma on Nusantara Popular Music Notes on Contributors Selected Bibliography Index

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