ENGLISH

Shadow Cinema: The Historical and Production Contexts of Unmade Films

By James Fenwick; Kieran Foster; David Eldridge (editors)

Book information

Publisher
Bloomsbury Academic
Year
2021
ISBN
9781501351594, 9781501351624, 9781501351617
Language
english
Format
PDF
Filesize
11 MB (11784309 bytes)
Pages
\281
Time added
2023-05-22 06:02:33

Description

Filmmakers and cinema industries across the globe invest more time, money and creative energy in projects and ideas that never get produced than in the movies that actually make it to the screens. Thousands of projects are abandoned in pre-production, halted, cut short, or even made and never distributed - a "shadow cinema" that exists only in the archives. This collection of essays by leading scholars and researchers opens those archives to draw on a wealth of previously unexamined scripts, correspondence and production material, reconstructing many of the hidden histories of the last hundred years of world cinema. Highlighting the fact that the movies we see are actually the exception to the rule, this study uncovers the myriad reasons why 'failures' occur and considers how understanding those failures can transform the disciplines of film and media history. The first survey of this new area of empirical study across transnational borders, Shadow Cinema is a vital and fascinating demonstration of the importance of the unmade, unseen, and unknown history of cinema. Cover Half title Title Copyright Contents Contributors Introduction Part I Producers and production companies 1 A production strategy of overdevelopment: Kirk Douglas’s Bryna Productions and the unproduced Viva Gringo! 2 Gone with the winds that never were: The David O. Selznick archive and unmade historical cinema 3 Parting the Iron Curtain: Michael Klinger’s attempt to make A Man and a Half Part II Directors and auteurs 4 Unfinished business: Godard, cinema and theatre in the 1960s 5 Ken Russell’s unfinished projects and unmade films, 1956–68: The BBC years 6 Ghatak in the shadows: Films that struggled Part III Questioning the unmade 7 Herding Cats; or, the possibilities of unproduction studies 8 Assembling Frankenstein 9 Burning bright: Samuel Fuller’s Tigrero and accidental ethnography 10 Clouzot’s L’Enfer 11 Claude Lanzmann’s Shoah and its shadow: Rescue and resistance Part IV Reconstructing the unmade 12 The never Alice: Marilyn Manson, gothic girlhoods and Phantasmagoria: The Visions of Lewis Carroll 13 The movie producer, the feminists and the serial killer: UK feminist activism, misogynist 70s fi lm culture and the (non) filming of the Yorkshire Ripper murders 14 The unmade undead: A post-mortem of the post-9/11 zombie cycle Index

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