ENGLISH

Craft and Heritage: Intersections in Critical Studies and Practice

By Susan Surette; Elaine Cheasley Paterson (editor)

Book information

Publisher
Bloomsbury Visual Arts
Year
2022
ISBN
9781350067585, 9781350067615, 9781350067608
Language
english
Format
PDF
Filesize
32 MB (33557986 bytes)
Pages
\321
Time added
2023-05-22 08:29:27

Description

This collection of 19 original essays argues for a critical and sustained engagement between the fields of craft and heritage. The book’s interdisciplinary and international array of authors consider how heritage and craft institutions, policies, practices and audiences encounter the constraints and opportunities of production, recognition and exhibition. Case studies spanning 125 years raise and address questions concerning authenticity and commodification, innovation and improvisation, diasporas and decolonization, global economies and national and professional identities. Authors also analyse mechanisms through which craft mobilises and has been harnessed by heritage processes and designations. Examples range from an Irish village at the 1893 Chicago World’s Fair and the role of chronopolitics in contemporary Vietnamese pottery, to the invisibility of crochet within Swedish heritagisation processes and the application of game theory in a ceramics museum. With section one considering citizenship and identity, section two sustainability and section three dynamic craft in cultural institutions, Craft and Heritage interrogates how craft objects, makers and processes intersect with current heritage concerns and practices. Cover Contents Plates Figures Notes on Contributors Acknowledgements Introduction Susan Surette Section I Place and belonging Susan Surette and Elaine Cheasley Paterson 1 Popular heritage: ‘Donegal Village’ at the Chicago World’s Fair, 1893 Janice Helland 2 Sopon Bezirdjian, craft, heritage and identity in Victorian Manchester Alyson Wharton-Durgaryan 3 Empire, nation and Biên Hòa Ceramics: Craft as a site of chronopolitical reproduction Nguyễn-võ Thu-hương 4 The unicorn and the ground hornbill: Heritage in the Keiskamma Art Project’s Intsikizi Tapestries Brenda Schmahmann 5 Latin American and Latin-Canadian textile practices: Art, activism and diasporic identity Nuria Carton de Grammont and Maria Ezcurra Section II Sustainability and resilience Susan Surette and Elaine Cheasley Paterson 6 Blessed are the cheesemakers: A cultural history of cheese in early twentieth-century Ireland Eleanor Flegg 7 Piecing heritage in transition: The Lakota Sioux star quilt as a symbol of pan-Indigeneity Lisa Binkley 8 A cart before a horse: How the subfield of traditional workmanship is transforming the field of heritage conservation Giedrė Jarulaitienė 9 Becoming heritage smart – negotiating the dilemma of craft practice in a ceramic centre Magdalena Buchczyk 10 Postcolonial and global heritage narratives from communal and individual perspectives in Dumbara weaving – Sri Lanka Chamithri Greru and Britta Kalkreuter Section III Collections and cultural institutions Susan Surette and Elaine Cheasley Paterson 11 Canadian women china painters: Artists and amateurs Rachel Gotlieb 12 Crafting civic engagement? How heritage lottery funding reframed Watts Gallery: Artists’ Village Elaine Cheasley Paterson 13 Craft as performance in China’s porcelain heritage capital Maris Gillette 14 Craft narratives from heritage sites in Buganda Maureen Muwanga Senoga 15 Hunting for Lost Crafts: The value of intangible cultural heritage in contemporary Scottish craft Juliette MacDonald Index

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