ENGLISH

Theatre and Consciousness: The Nature of Bio-Evolutionary Complexity in the Arts (Artists and Issues in the Theatre)

By Gordon Scott Armstrong

Book information

Publisher
Peter Lang Publishing
Year
2003
ISBN
0820457736, 9780820457734
ISSN
1051-9718
Google Books ID
lpMQAQAAIAAJ
Open Library ID
OL11396848M
Language
english
Format
PDF
Filesize
989 kB (1012734 bytes)
Series
Artists and Issues in the Theatre volume 14
Pages
192\192
Orientation
yes
Scanned
no
Time added
2012-03-09 12:00:00

Description

Human beings have speech, we have consciousness, but 130,000 years ago we had nothing: why? Theatre and Consciousness argues that the functioning of human consciousness in interpreting and staging a theatrical performance is among the most highly selective and adaptive operations known to science. The emergence of the human mind out of discontinuous, pulsing, neuronal brain patterns is a study in complexity theory, possibly as complicated as the organization of the universe. According to this book, the theatre as a substrate of consciousness is one element that defines modern man as a reflective species, having evolved over 190,000,000 years. The emergence of Homo Sapiens is unique and fundamentally unpredictable; our developed speech is closer to birdsong than to any other species' communication on earth, we have survived five galactic "beam-splitters" from space, and our evolutionary, discontinuous cortex has found a pattern to existence that may include up to twenty-six folded dimensions of "string-theory" space. This book asserts that the story of theatre is the story of the evolution of our second generation star.

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