Tributes to Paul Binski: Medieval Gothic: Art, Architecture & Ideas (Tributes, 11)
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This volume is published in honour of Paul Binski, whose scholarship and teaching have done so much to illuminate the material and intellectual worlds of Gothic art and architecture. Remarkable for its material scope and philosophical depth, Paul's work has had a powerful influence on the current state of the field: this is reflected here in thirty-four essays on buildings, works of art and ideas in a wide range of historical and geographical contexts, from Iberia to Scandinavia and Italy to Ireland. Consistently fresh in their scholarship, these essays combine to make an important contribution to medieval art history. In doing so they reflect the admiration and affection which Paul inspires in his students and colleagues. With contributions by: Gabriel Byng, Meredith Cohen, Emily Guerry, James Hillson, Ethan Matt Kavaler, Tom Nickson, Zoë Opacic, Claudia Bolgia, Jean-Marie Guillouët, Justin E. A. Kroesen, Julian Luxford, Robert Mills, John Munns, Matthew M. Reeve, Laura Slater, Beth Williamson, Jessica Berenbeim, Spike Bucklow, Marcia Kupfer, Jean-Pascal Pouzet, Miri Rubin, Kathryn M. Rudy, Rocío Sánchez Ameijeiras, Lucy Wrapson, Patrick Zutshi, Mary Carruthers, Jill Caskey, Lucy Donkin, Kate Heard, Robert Maniura, Alexander Marr, M. A. Michael, Conrad Rudolph, Betsy Sears. Front Matter Gabriel Byng. The ‘Great Rebuilding’ of the Late Middle Ages: Revising the longue durée History of the Gothic Parish Church Meredith Cohen. ‘The Forest through the Trees’: The Pier as a Seed Plan at the Lady Chapel of Saint-Germain des Prés Emily Guerry. A Gothic Throne for the King of Kings: A Re-evaluation of the Design, Date, and Function of the Sainte-Chapelle Tribune James Hillson. Linearity and the Gothic Style: Architectural Conception in England and France, 1200–1400 Ethan Matt Kavaler. Diamonds are Forever: Cell Vaults and the Beginnings of History Tom Nickson. Describing Architecture in Thirteenth-Century Spain Zoë Opačić. Cui bono? The Founding and Funding of Medieval Religious Institutions under Charles IV Claudia Bolgia. The ‘Tabernacles’ War’ II, c.1400: New Light on the Competition between Icons and Relics in Late Medieval Rome Jean-Marie Guillouët. Epigraphic One-Upmanship: Remarks about Text-Image Relationship in Fifteenth Century Monumental Sculpture Justin E. A. Kroesen. Gotland Wonder: Unique High Medieval Interior Ensembles on a Baltic Island Julian Luxford. John and Johanna Ormond’s Grave Robert Mills. Wild Forms: The Art of East Anglian Wodewoses John Munns. The Thirteenth-Century Pyx Cover at Wells Cathedral Matthew M. Reeve. Fragments from Wisdom’s House: The Lady chapel Juxta Claustrum at Wells Cathedral Laura Slater. Musical Wit and Courtly Connections at Cogges Beth Williamson. The Kilcorban Madonna: Joy and Potential in an Irish Wooden Virgin and Child Jessica Berenbeim. Recapitulation: A Medieval Table of Contents Spike Bucklow. The Economics of Blue and Gold Marcia Kupfer. A Hill of Foreskins: Circumcision in the Alba Bible Jean-Pascal Pouzet. Notes towards a Poetics of Western Medieval Manuscript Form – with an Application to Illuminated Manuscripts in Cambridge University Library Miri Rubin. Ecclesia and Synagoga in Time Kathryn M. Rudy. The Bolton/Blackburn Hours (York Minster Add. Ms. 2): A New Solution to its Text-Image Disjunctions using a Structural Model Rocío Sánchez Ameijeiras. If the Sea Were Made of Ink: A Word on Medieval Visual Poetry Lucy Wrapson. A Royal Portrait? Uncovering the Identity of Saints on the Late-medieval Screen at North Tuddenham, Norfolk Patrick Zutshi. The Veronica Images Painted by Matteo Giovannetti for Pope Urban V (1369) Mary Carruthers. Becoming Like an Angel: The Concept of Sublimis in Monastic Contemplation and in Alchemy Jill Caskey. Treasure, Taxonomy, and Transformation in the Inventories of San Nicola, Bari Lucy Donkin. Mining Mount Tabor: the Schauinsland Window at the Minster of Freiburg im Breisgau Kate Heard. The Ecclesiastical Textiles of Humphrey, Duke of Gloucester Robert Maniura. Why Study Miraculous Images? Alexander Marr. Working by Wit Alone: Aspects of Ingenuity in Dürer M. A. Michael. Inventing Gothic Painting: Creating Fine Art Conrad Rudolph. The Evidence of the Training of Tour Guides in the Middle Ages Elizabeth Sears. Gothic Logic: Panofsky’s Unwritten Book on ‘The Gothic Style’ Back Matter
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