ENGLISH

Teaching Music Theory: new voices and approaches

Book information

Publisher
Oxford University Press
Year
2020
ISBN
0190879947, 9780190879945
Language
english
Format
PDF
Filesize
23 MB (23958340 bytes)
Pages
332\329
Time added
2021-05-31 09:10:17

Description

In recent years, music theory educators around the country have developed new and innovative teaching approaches, reintroducing a sense of purpose into their classrooms. In this book, author and veteran music theory educator Jennifer Snodgrass visits several of these teachers, observing them in their music theory classrooms and providing lesson plans that build upon their approaches. Based on three years of field study spanning seventeen states, coupled with reflections on her own teaching strategies,�Teaching Music Theory: New Voices and Approaches highlights real-life teaching approaches from effective (and sometimes award-winning) instructors from a wide range of institutions: high schools, community colleges, liberal arts colleges, and conservatories. In recent years, music theory educators around the country have developed new and innovative teaching approaches, reintroducing a sense of purpose into their classrooms. In this book, author and veteran music theory educator Jennifer Snodgrass visits several of these teachers, observing them in their music theory classrooms and providing lesson plans that build upon their approaches. Based on three years of field study spanning seventeen states, coupled with reflections on her own teaching strategies,�Teaching Music Theory: New Voices and Approaches�highlights real-life teaching approaches from effective (and sometimes award-winning) instructors from a wide range of institutions: high schools, community colleges, liberal arts colleges, and conservatories. Throughout the book, Snodgrass focuses on topics like classroom environment, collaborative learning, undergraduate research and professional development, and curriculum reform. She also emphasizes the importance of a diverse, progressive, and inclusive teaching environment throughout, from encouraging student involvement in curriculum planning to designing lesson plans and assessments so that pedagogical concepts can easily be transferred to the applied studio, performance ensemble, and other courses outside of music. An accessible and valuable text designed with the needs of both students and faculty in mind,Teaching Music Theory provides teachers with a vital set of tools to rejuvenate the classroom and produce confident, empowered students. Title_Pages Preface The_Golden_CircleWhy_How_and_What Why_and_HowCurriculum_and_Content The_Classroom_Environment Teaching_Theory_on_the_High_School_Level Pedagogy_of_Fundamentals_and_Diatonic_Harmony Pedagogy_of_Chromatic_Harmony_and_Form Pedagogy_of_Aural_Skills oso-9780190879945-chapter-9 Empower the Undergraduate Jennifer Snodgrass Empower the Undergraduate Jennifer Snodgrass Abstract and Keywords Empower the Undergraduate The Undergraduate Music Major Empower the Undergraduate Empower the Undergraduate (p.260) What Motivates Our Students Empower the Undergraduate Empower the Undergraduate The Tale of Two Undergraduates Empower the Undergraduate The Student Response Empower the Undergraduate The Faculty Response Empower the Undergraduate Empower the Undergraduate (p.267) Teaching and Research Development on the Undergraduate Level: Beyond the Classroom Empower the Undergraduate Undergraduate Research Empower the Undergraduate Empower the Undergraduate Undergraduate Teaching Assistant Empower the Undergraduate Empower the Undergraduate Conclusion Notes: Empower the Undergraduate oso-9780190879945-chapter-8 Assessment Jennifer Snodgrass Assessment Jennifer Snodgrass Abstract and Keywords Assessment Assessment Assessment Assessment Summative Assessment: Change in Paradigms Assessment Placement Exams Summative Assessment: The Quick Grades Assessment Assessment Summative Assessment: Beyond the Quick Answer Tests/Take-Home Tests Assessment Final Exams/Thuries Assessment (p.239) Applied Instrument Analysis Projects Assessment Assessment Assessment Assessment Assessment Formative Assessment (p.245) Self-Evaluation or Self-Assessment Assessment Classroom Assessment Techniques Assessment Gaming in the Theory Classroom Assessment Assessment Teaching as Assessment Assessment Standards-Based Grading Assessment Assessment Creating a Scale/Progress-Centric Grading Assessment Conclusion Assessment Notes: Assessment Assessment Taking_the_First_Steps_into_Academia What_the_Effective_Music_Theory_Instructors_Do Epilogue Appendix Bibliography Index Пустая страница Пустая страница Пустая страница Пустая страница Пустая страница

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