Medieval and Early Modern Film and Media
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This collection examines a wide range of films and offers a dialogical model of film that preconceives the past and present as the remediation of old media by newer media. Front Matter....Pages i-xiv Introduction: Film before and after New Media, Anec-notology, and the Philological Uncanny....Pages 1-22 The Medieval and Early Modern Cinematographosphere: De-composing Paratexts, Media Analogues, and the Living Dead Hands of Surrealism, Psychoanalysis, and New Historicism....Pages 23-73 The Passion of El Cid and the Circumfixion of Cinematic History: Stereotypology/Phantomimesis/Cryptomorphoses....Pages 75-106 Cutting and (Re)Running from the (Medieval) Middle East: The Return of the Film Epic and the Uncanny Mise-hors-scènes of Kingdom of Heaven’s Double DVDs....Pages 107-136 Le détour de Martin Guerre: “Anec-notes” of Historical Film Advisors, Archival Aberrations, and the Uncanny Subject of the Academic Paratext....Pages 137-168 Epilegomenon: Anec-Post-It-Note to Self: Freud, Greenblatt, and the New Historicist Uncanny....Pages 169-185 Back Matter....Pages 187-279
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