The Present Prospects of Social Art History
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Title Page Copyright Page Contents Illustrations Introduction: The Present Prospects of Social Art History Notes Chapter 1: Social Art History in Retrospect Three Tendencies in the Social History of Art Positivist Marxist Subjective Notes Chapter 2: Marat’s Two Bodies Marat’s Sacred Body The Shameful Death Inheritance Notes Chapter 3: The Anti-Heroism of Modern Life, or the Social History of Art in Standard Time Notes Chapter 4: T. J. Clark, Peasant Materialism, and the End of Social Art History Notes Chapter 5: Daumier and Method Notes Chapter 6: The Age of Social Art History: Berger, Clark, Fried Notes Chapter 7: A Secret History of Martin Wong Acknowledgments Notes Chapter 8: Vernacular Modernism All Over: the Deep South Absorption and Theatricality Farewell to an Idea The Legacy of Jackson Pollock Chapter 9: Note to Self: On the Blurring of Art and Life Writing the Self The Blurring of Art and Life Lee Lozano’s Art-Life Experiment The Politics of Experience Notes Chapter 10: The Role of Form in the Social History of Art Formalism A Formalist Social History of Art Acknowledgments Notes Chapter 11: Abject Art History Form and Grace Photography as Model Notes Contributors Index
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