ENGLISH

A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Bibliothèque du Château de Chantilly, Ms. 564)

By Yolanda Plumley; Anne Stone

Book information

Publisher
Brepols
Year
2010
ISBN
978-2-503-51598-4, 978-2-503-53762-7
Language
english
Format
PDF
Filesize
81 MB (84717035 bytes)
Series
Epitome musical
Pages
368\368
Topic
Art Music
Time added
2017-08-11 14:11:44

Description

Front matter (“Contents”, “Introduction”), p. 1 Free Access Deception, Reversal, and Paradox: The Rondeaux of the Chantilly Codex in Context, p. 15 Virginia Newes https://doi.org/10.1484/M.EM-EB.3.2659 En relisant Solage, p. 45 Gilles Dulong https://doi.org/10.1484/M.EM-EB.3.2660 Dead Famous: Mourning, Machaut, Music, and Renown in the Chantilly Codex, p. 63 Elizabeth Eva Leach https://doi.org/10.1484/M.EM-EB.3.2661 Nouvelles lectures des chansons notées dans le Codex Chantilly, p. 95 Gilles Dulong, Agathe Sultan https://doi.org/10.1484/M.EM-EB.3.2662 Aligning Words and Music: Scribal Procedures for the Placement of Text and Notes in the Chantilly Codex, p. 115 Elizabeth Randell Upton https://doi.org/10.1484/M.EM-EB.3.2663 Criticism of Music and Music as Criticism in the Chantilly Codex, p. 133 Jehoash Hirshberg https://doi.org/10.1484/M.EM-EB.3.2664 Between the Fig Tree and the Laurel: Or voit tout en aventure Revisited, p. 161 Dorit Tanay https://doi.org/10.1484/M.EM-EB.3.2665 The Interpretation of Unusual Mensuration Signs in the Notation of the Ars subtilior, p. 179 Jason Stoessel https://doi.org/10.1484/M.EM-EB.3.2666 The Myth of tempus perfectum diminutum in the Chantilly Manuscript, p. 203 Margaret Bent https://doi.org/10.1484/M.EM-EB.3.2667 Diplomatic Relationships between Chantilly and Cividale?, p. 229 Reinhard Strohm https://doi.org/10.1484/M.EM-EB.3.2668 French Songs in Aragon de Terence Scully révisé, p. 245 Maricarmen Gómez https://doi.org/10.1484/M.EM-EB.3.2669 Flats and Chansons in MS Florence, Biblioteca Nazionale, Panciatichi 26, p. 263 Thomas Brothers https://doi.org/10.1484/M.EM-EB.3.2670 A New Source for the Polyphony of the Ars subtilior: Paris, Bibliothèque nationale, nouvelles acquisitions françaises 22069, p. 283 Mark Everist https://doi.org/10.1484/M.EM-EB.3.2671 Cordier’s Picture-Songs and the Relationship between the Song Repertories of the Chantilly Codex and Oxford 213, p. 303 Yolanda Plumley, Anne Stone https://doi.org/10.1484/M.EM-EB.3.2672 Original and Borrowed, Authorship and Authority. Remarks on the Circulation of Philipoctus de Caserta’s Theoretical Legacy, p. 329 Giuliano Di Bacco https://doi.org/10.1484/M.EM-EB.3.2673 Back matter (“Abbreviations”), p. 365

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