Archaeologies of Cosmoscapes in the Americas

Description

This volume examines how pre-Columbian societies in the Americas envisioned their cosmos and iteratively modeled it through the creation of particular objects and places. It emphasizes that American societies did this to materialize overarching models and templates for the shape and scope of the cosmos, the working definition of cosmoscape. Noting a tendency to gloss over the ways in which ancestral Americans envisioned the cosmos as intertwined and animated, the authors examine how cosmoscapes are manifested archaeologically, in the forms of objects and physically altered landscapes. This book’s chapters, therefore, offer case studies of cosmoscapes that present themselves as forms of architecture, portable artifacts, and transformed aspects of the natural world. In doing so, it emphasizes that the creation of cosmoscapes offered a means of reconciling peoples experiences of the world with their understandings of them. Table of Contents 1. Front matter 1.1. Introduction: Approaching cosmoscapes J. Grant Stauffer, Shawn P. Lambert, and Bretton T. Giles 2. Objects as cosmoscapes 2.1. Modeling the cosmos: Rim-effigy bowl iconography in the central Mississippi valley Madelaine Azar and Vincas P. Steponaitis 2.2. Of snakes and masks: Retrospective clues to understand the meaning of Pre-Columbian Maya greenstone mosaic masks Juan-Carlos Melendez, David A. Freidel, and Daniel E. Aquino 2.3. Negotiating Oneota and Tunica cosmoscapes in the lower Mississippi valley David Dye 2.4. Sacrifice and the sun: The Aztec calendar stone and its origins Annabeth Headrick 2.5. Cahokia’s wandering supernaturals: What does it mean when the earth mother leaves town? Steven L. Boles 2.6. Hallucinogens and cosmoscapes: Datura production, consumption, and iconography in the central Arkansas river valley Shawn P. Lambert 3. Placemaking and cultivating cosmoscapes 3.1. Center Posts, thunder symbolism, and community organization at Cahokia Mounds, Illinois Joy Mersmann and J. Grant Stauffer 3.2. Mound 2 at the Hopewell site as cosmoscape Bretton T. Giles, Brian M. Rowe, and Ryan M. Parish 3.3. Revealing the origins and cultural connections of the Braden art style James Duncan and Carol Diaz-Granados 3.4. Persistent memories and cosmic futures: Ancient placemaking in the Tallahassee Uplands of Florida Jesse Nowak and Charles Rainville 3.5. Whirlwind of a woman: An iconographic analysis of earth mother iconography Melinda A. Martin 3.6. Portals of prophecy and creation: Spiro’s spirit lodge and an ancient American tradition David Freidel 4. Back matter 4.1. Conclusion F. Kent Reilly Cover Book Title Copyrights Contents Contributors 1 Conceptualizing cosmoscapes Part I Objects as cosmoscapes 2 Modeling the cosmos:Rim-effigy bowl iconography in the Central Mississippi Valley 3 Cahokia’s wandering supernaturals:What does it mean when the Earth Mother leaves town? 4 Altered states and cosmoscapes: The production and consumption of Datura in the Central Arkansas River Valley 5 Oneota and Tunican cosmoscapesin the Lower Mississippi Valley 6 Of snakes and masks: Retrospective clues to understand the meaning of Classic Maya (AD 250–900) greenstone mosaic masks 7 Sacrifice and the Sun: The Aztec Calendar Stone, its origins, and the symbolism of autosacrifice Part 2 Place-making andcultivating cosmoscapes Plate 8 Center posts, thunder symbolism, and community organization at Cahokia Mounds, Illinois 9 Picture Cave and the birth of the Braden Art Style 10 A whirlwind of a woman:An iconographic interpretation of the Mississippian Earth Mother 11 Mound 2 at the Hopewell Site as cosmoscape 12 Eternal performance: Mesoamerican and Mississippian tableaux in comparative perspective Part 3 Cosmoscapes in perspective 13 Final thoughts on the archaeologies of cosmoscapes