ENGLISH

Focus: Scottish Traditional Music

Book information

Publisher
Routledge
Year
2015
ISBN
0415741920, 9780415741927
Language
english
Format
PDF
Filesize
2 MB (1784352 bytes)
Series
Focus on World Music Series
Edition
1
Pages
174\191
Time added
2021-12-03 07:14:29

Description

Focus: Scottish Traditional Music engages methods from ethnomusicology, popular music studies, cultural studies, and media studies to explain how complex Scottish identities and culture are constructed in the traditional music and culture of Scotland. This book examines Scottish music through their social and performative contexts, outlining vocal traditions such as lullabies, mining songs, Scottish ballads, herding songs, and protest songs as well as instrumental traditions such as fiddle music, country dances, and informal evening pub sessions. Case studies explore the key ideas in understanding Scotland musically by exploring ethnicity, Britishness, belonging, politics, transmission and performance, positioning the cultural identity of Scotland within the United Kingdom. Visit the author's companion website at http: //www.scottishtraditionalmusic.org/ for additional resources. Focus: Scottish Traditional Music - Front Cover Focus: Scottish Traditional Music Title Page Copyright Page Dedication Contents Figures Tracks Series Foreword Preface Acknowledgements Part I: The Social Life of Scottish Traditional Music Chapter 1: Introduction Authenticity and Belonging The Sound of Scottish Music Notes Chapter 2: The Social Life of Scottish Traditional Music Scottish Traditional Music and the Family Intimate Social Musical Life Organised Solo Performance Organised Social Music Mass-Mediated Music Notes Chapter 3: Auld Lang Syne Scottish Musical Beginnings Early Modern Scottish Traditional Music Enlightenment Scotland and Traditional Music Romanticism and Scottishness in Traditional Music Summary Notes Part II: Scottish Traditional Music: Politics, People and Place Chapter 4: The Politics of Scottish Traditional Music Jacobite Song Whigs, Tories and Romantics Marxism, Red Clydeside and the Revival The Folk Revival Protest Song Race, Ethnicity and Whiteness in Scottish Traditional Music Notes Chapter 5: The People of Scottish Traditional Music Surveying the Community of Practice Chapter 6: The Place of Scottish Traditional Music The Musical Place of the Scottish Borders Some Endings Notes Part III: Theorising Scottish Traditional Music Chapter 7: Mediatisation of Scottish Traditional Music Voicing Folk in Tradition Today Scottish Music as ‘Celtic Music’ Chapter 8: Singing Our Difference: The Multimodal Performance of UK Alterity and Otherness in Scottish Traditional Song Singing the Other Some Endings Notes Chapter 9: Theorising Scottish Musical Structure: The Notes of Tradition The Pentatonic Problem Scales and Modes The Double Tonic Notes References Index

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