Yeats Annual
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Front Matter....Pages i-xviii Front Matter....Pages 1-1 “Our Kathleen”: Yeats’s Collaboration with Lady Gregory in the Writing of Cathleen ni Houlihan....Pages 3-31 Yeats and Deirdre: from Story to Fable....Pages 32-58 Olivia Shakespear: Letters to W. B. Yeats....Pages 59-107 The Annotated Responsibilities: Errors in the Variorum Edition and a New Reading of the Genesis of Two Poems, “On Those That Hated ‘The Playboy of the Western World’, 1907” and “The New Faces”....Pages 108-133 Yeats and Arthur....Pages 134-147 Halfway to the Stars: W. B. Yeats in California, 1904....Pages 148-165 John Quinn’s “An Evening in New York with W. B. Yeats”....Pages 166-185 Mille neuf cent dix-neuf....Pages 186-190 Front Matter....Pages 191-191 “The Completed Symbol”: Daimonic Existence and the Great Wheel in A Vision (1937)....Pages 193-208 Front Matter....Pages 209-209 A New Solomon and Sheba Poem....Pages 211-213 “Portrayed before his Eyes”: an abandoned late poem....Pages 214-221 “Worst Part of Life”: Yeats’s Horoscopes for Olivia Shakespear....Pages 222-226 MSS in a Black Box: The Golden Dawn Papers of Dr William Wynn Westcott....Pages 227-233 A Descriptive Catalog of W. B. Yeats’s Library: Notes Supplementary....Pages 234-245 Front Matter....Pages 247-247 Yeats in His Letters: a Review Essay John Kelly (ed.) and Eric Domville (assoc. ed.), The Collected Letters of W. B. Yeats, Volume 1: 1865–1895....Pages 249-257 Sandra F. Siegel (ed.), ‘Purgatory’: Manuscript Materials Including the Author’s Final Text by W. B. Yeats The Cornell Yeats....Pages 257-262 Peter Sacks, The English Elegy: Studies in the Genre from Spenser to Yeats....Pages 262-265 Balachandra Rajan, The Form of the Unfinished, English Poetics from Spenser to Pound....Pages 265-268 Joseph M. Hassett, Yeats and the Poetics of Hate Steven Putzel, Reconstructing Yeats: ‘The Secret Rose’ and ‘The Wind Among the Reeds’....Pages 268-273 D. E. S. Maxwell, A Critical History of Modern Irish Drama 1891–1980, and William J. Feeney, Drama in Hardwicke Street: a History of the Irish Theatre Company....Pages 273-278 Front Matter....Pages 247-247 Calvary and The Resurrection at the Peacock Theatre, Dublin: First Performance 15 September 1986....Pages 278-282 C. K. Stead, Pound, Yeats, Eliot and the Modernist Movement....Pages 282-285 Patricia Clements Baudelaire and the English Tradition and Anca Vlasopolos The Symbolic Method of Coleridge, Baudelaire, and Yeats....Pages 285-290 Marie Roberts, British Poets and Secret Societies....Pages 290-293 Masaru Sekine, Ze-Ami and His Theories of Noh Drama....Pages 293-295 Back Matter....Pages 297-318
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