Foundations of Voice Studies: An Interdisciplinary Approach to Voice Production and Perception
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Foundations of Voice Studies provides a comprehensive description and analysis of the multifaceted role that voice quality plays in human existence. Offers a unique interdisciplinary perspective on all facets of voice perception, illustrating why listeners hear what they do and how they reach conclusions based on voice qualityIntegrates voice literature from a multitude of sources and disciplinesSupplemented with practical and approachable examples, including a companion website with sound files at www.wiley.com/go/voicestudiesExplores the choice of various voices in advertising and broadcasting, and voice perception in singing voices and forensic applicationsProvides a straightforward and thorough overview of vocal physiology and controlContent: Chapter 1 Introduction (pages 1–24): Chapter 2 Producing a Voice and Controlling its Sound (pages 25–71): Chapter 3 Neurological Foundations of Voice Production and Perception (pages 72–109): Chapter 4 Physical Characteristics and the Voice: Can we Hear What a Speaker Looks Like? (pages 110–155): Chapter 5 Recognizing Speaker Identity From Voice: Theoretical and Ethological Perspectives and a Psychological Model (pages 156–188): Chapter 6 The Brain Behind the Voice: Cerebral Models of Voice Production and Perception (pages 189–236): Chapter 7 Identifying Unfamiliar Voices in Forensic Contexts (pages 237–259): Chapter 8 Linguistic Uses of Voice Quality: How Voice Signals Linguistic and Pragmatic Aspects of Communication (pages 260–301): Chapter 9 Perception of Emotion and Personality from Voice (pages 302–360): Chapter 10 Miscellany: Voice in Law Enforcement, Media and Singing (pages 361–397):
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