ENGLISH

Latin American Music Reader: Views from the South

By Javier F. León (editor) , Helena Simonett (editor)

Book information

Publisher
University of Illinois Press
Year
2016
ISBN
2016003066, 9780252040214, 9780252081675, 9780252098437
Language
english
Format
PDF
Filesize
6 MB (6000233 bytes)
Pages
496\465
Time added
2020-04-12 12:43:47

Description

Javier F. León and Helena Simonett curate a collection of essential writings from the last twenty-five years of Latin American music studies. Chosen as representative, outstanding, and influential in the field, each article appears in English translation. A detailed new introduction by León and Simonett both surveys and contextualizes the history of Latin American ethnomusicology, opening the door for readers energized by the musical forms brought and nurtured by immigrants from throughout Latin America. Dedication Contents Preface One Hundred Years of Latin American Music Scholarship: An Overview • Helena Simonett (with Michael Marcuzzi) Part One. Academic Lineages, Disciplinary Canons, and Historiographies Introduction • Javier F. León 1. Music Research in South America • Raúl R. Romero 2. Between Folklore and Ethnomusicology: Sixty Years of Folk and Vernacular Music Studies in Colombia • Carlos Miñana Blasco 3. Popular Musicology in Latin America: Synthesis of Its Accomplishments, Problems, and Challenges • Juan Pablo González 4. The Construction of History: The Charango in the Collective Memory of Mestizo Ayacucho • Julio Mendívil 5. Decline or Progress? Eighteenth-Century Music and Nineteenth-Century Nationalism • Alejandro Vera 6. The Bambuco, Hybrid Knowledges, and the Academy: A Historical Analysis of the Persistence of Coloniality in Latin American Musical Studies • Carolina Santamaría-Delgado Part Two. Popular Music, Style, and the Social Construction of Genre Introduction • Javier F. León 7. Notes for a Prehistory of Mambo • Rubén López-Cano 8. “I Got Phrasing”: Changes in Samba’s Melodic Rhythm, 1917–1933 • Carlos Sandroni 9. Singing Difference: Violeta Parra and Chilean Song • Rodrigo Torres Alvarado 10. The Nuevo Cancionero Movement: A Change of Paradigm in Argentine Folklore • Claudio F. Díaz 11. Timba, Rumba, and “Appropriation from the Inside” • Iñigo Sánchez Fuarros 12. Gender and Brazilian Popular Music: A Study of Female Bands • Rodrigo Cantos Savelli Gomes and Maria Ignêz Cruz Mello Part Three. Alternate Genealogies, Marginal Ontologies, and Applied Ethnomusicology Introduction • Javier F. León 13. Myth, Music, and Dance: The Chicomexochitl • Gonzalo Camacho Díaz 14. Indigenous Music and Identity: Musical Spaces of Urban Mapuche Communities • Jorge Martínez Ulloa 15. Brazilian Ethnomusicology as Participatory Ethnomusicology: Anxieties Regarding Brazilian Musics • Angela Lühning 16. Applied Ethnomusicology: A Critical History of Indigenous Music Studies in Mexico • Marina Alonso Bolaños 17. Metamorphosis of Afro-Brazilian Performance Traditions: From Cultural Heritage to the Entertainment Industry • José Jorge de Carvalho Contributors Index

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