Pierre-Auguste Renoir La Promenade

Description

To late-twentieth-century eyes, Pierre-Auguste Renoir’s La Promenade raises few questions and poses few problems indeed, little has been written about the picture, despite its regular appearance in exhibitions and the Renoir literature. This study of the work—a masterpiece from the collection of the J. Paul Getty Museum—reveals surprising details about the artistic, historical, and moral contexts in which the painting was created. To late-twentieth-century eyes, Pierre-Auguste Renoir’s La Promenade raises few questions and poses few problems indeed, little has been written about the picture, despite its regular appearance in exhibitions and the Renoir literature. This study of the work—a masterpiece from the collection of the J. Paul Getty Museum—reveals surprising details about the artistic, historical, and moral contexts in which the painting was created. John House, the author of this fascinating monograph, examines the many facets of the work and what it reveals about Renoir as a man and artist. He asks, “What did it mean to paint a picture like La Promenade in France in 1870, in the final months of Napoleon III’s Second Empire?” The reader is invited to look at the canvas—and Impressionism—as a rejection of the idealist world of academic art and as a challenge to contemporary social norms. Pierre-Auguste Renoir: La Promenade is part of the Getty Museum Studies on Art series, designed to introduce individual artworks or small groups of related works to a broad public with an interest in the history of art. Each monograph is written by a leading scholar and features a close discussion of its subject as well as a detailed analysis of the broader historical and cultural context in which the work was created. Table of Contents Introduction The Salon and the Art Trade: Genre Painting and the Value of Art Reading Genre Paintings The Setting of La Promenade The Figure Subject in La Promenade The Technique of La Promenade Renoir’s Position in 1870 The Place of La Promenade in Renoir’s Career Notes Acknowledgments About the Author John House is Professor of the History of Art at the Courtauld Institute of Art, University of London. He was co-organizer of the 1985–86 Renoir exhibition (London, Hayward Gallery Paris, Grand Palais and Boston, Museum of Fine Arts) and guest curator of Impressions of France (London, Hayward Gallery, and Boston, Museum of Fine Arts) in 1995–96. He is the author of Monet: Nature into Art (1986) and numerous essays and articles on French nineteenth-century art.