ENGLISH

Film Music in the Sound Era: A Research and Information Guide, Volume 1: Histories, Theories, and Genres

Book information

Publisher
Routledge
Year
2020
ISBN
0815392389, 9780815392385
Language
english
Format
PDF
Filesize
6 MB (5769083 bytes)
Series
Routledge Music Bibliographies
Edition
1
Pages
676\677
Time added
2022-02-21 19:23:07

Description

Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume. Cover Half Title Series Title Copyright Contents Preface Acknowledgments I Film Music Research: Overviews and Resources State of the Field of Film Music Research Bibliographies, Discographies, and Other Reference Sources Film Music Journals and Other Specialized Sources Special Issues of Journals from Other Disciplines Websites Anthologies of Primary Source Documents Archives of Primary Source Materials Studies of Archives and Repositories II Histories and Other Surveys Broad Historical Overviews Historical Surveys: 1900–1932 Historical Surveys: 1933–1949 Historical Surveys: 1950–1979 Historical Surveys: 1980–2000 Historical Surveys: 2000—Present Broadly Defined Collected Essays/Conference and Symposium Reports Other Surveys III Theory and Criticism Theories and Aesthetics of Film Music and Sound Empirical and Experimental Approaches Reception Studies Film Music Criticism through 1960 IV Genre Genre Theory Action-Adventure Adaptations of Stage Works and Literature Animation Biopics Blaxploitation Comedy and Romantic Comedy Concert Films Documentaries Experimental Film Film Musicals Film Noir Heimatfilm Historical Films Horror and Thriller Martial Arts Films Melodrama Opera Film/Opera and Film Pornography and Erotica Road Movies Sci-Fi and Fantasy Shorts Sports Films Titles and Trailers War and Combat Films Westerns Woman’s Film V Case Studies of Individual Films Note on the Indexes Names Index Film Titles Index

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