ENGLISH

Music and Capitalism : A History of the Present

Book information

Publisher
The University of Chicago Press
Year
2016
ISBN
9780226312026, 022631202X
Language
english
Format
PDF
Filesize
3 MB (3534099 bytes)
Series
Chicago studies in ethnomusicology: big issues in music
Pages
217\236
Topic
Art Music
Time added
2018-09-07 05:36:50

Description

"In this book, Timothy D. Taylor explores just how pervasively capitalism has shaped music over the last few decades. Examining changes in the production, distribution, and consumption of music, he offers an incisive critique of the music industry's shift in focus from creativity to profits, as well as stories of those who are laboring to find and make musical meaning in the shadows of the mainstream cultural industries. Taylor explores everything from the branding of musicians to the globalization of music to the emergence of digital technologies in music production and consumption. Drawing on interviews with industry insiders, musicians, and indie label workers, he traces both the constricting forces of bottom-line economics and the revolutionary emergence of the affordable home studio, the global internet, and the mp3 that have shaped music in different ways. A sophisticated analysis of how music is made, repurposed, advertised, sold, pirated, and consumed, Music and Capitalism is a must read for anyone who cares about what they are listening to, how, and why"--Provided by publisher.  Read more... Introduction : capitalism, music, and social theory -- A brief history of music and capitalism before the rise of neoliberalism -- Neoliberal capitalism and the cultural industries -- Globalization -- Digitalization -- Singing in the shadows of neoliberal capitalism -- Conclusions : capitalism is people, too.

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