The invention of Robert Bresson the auteur and his market
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Machine generated contents note: pt. I Alternative Institutions -- 1. Under the Aegis of Surrealism: How a Publicity Artist Became the Manager of an Independent Film Company -- 2. Rise of the Accursed: When Bresson Was Copresident of an Avant-Garde Cine-Club -- pt. II Vanguard Forms -- 3. Purifying Cinema: The Provocations of Faithful Adaptation and First-Person Storytelling in "Ignace de Loyola" (1948) and Journal d'un cure de campagne (1951) -- 4. Theorizing the Image: Bresson's Challenge to the Realists -- Sparse Set Design, Acting, and Photography from Les anges du peche (1943) to Une femme douce (1969) -- 5. Vernacularizing Rhythm: Bresson and the Shift Toward Dionysian Temporalities -- Plot Structure and Editing from Journal d'un cure de campagne (1951) to L'argent (1983).
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