ENGLISH

The Broadside Ballad in Early Modern England: Moving Media, Tactical Publics

By Patricia Fumerton

Book information

Publisher
University of Pennsylvania Press
Year
2021
ISBN
9780812252316, 9780812297270
Language
english
Format
PDF
Filesize
18 MB (19116558 bytes)
Pages
470\481
Topic
Art Music
Time added
2021-08-30 07:22:04

Description

Featuring more than 80 illustrations and easy access to related music files, this magisterial work argues that a ballad cannot be read as a fixed artifact, independent of its illustrations, tune, and movement across time and space. Cover The Broadside Ballad in Early Modern England Title Copyright Dedication Contents Note on Audio Tracks and Citation Conventions Introduction Chapter 1. The Critical and Theoretical Parts: Moving, Assemblage, Publics, and Tactics PART I ASSEMBLING BY DISASSEMBLING: ARCHIVES, DATABASES, AND BALLAD BITS Chapter 2. Accessing the Artifact, Now and Then Chapter 3. Random Tactical Hits PART II REMEMBERING BY DISMEMBERING: BLACK LETTER, CALLIGRAPHY, AND PRINT HISTORY Chapter 4. The Network of Black-Letter Broadside Ballad Collectors Chapter 5. The Passing Present of Black Letter and Calligraphy PART III FROM NETWORKS TO PUBLICS: SAMUEL PEPYS Chapter 6. Pepys and the Making of Gendered Publics Chapter 7. Pepys and the Making of Political Publics PART IV DIACHRONIC AND SYNCHRONIC BALLAD PUBLICS: CROSSING SOCIETY, HISTORY, AND SPACE Chapter 8. The Moving Violations of “The Lady and the Blackamoor” Conclusion: The Limits of the Shakespearean Stage: Ballading The Winter’s Tale Notes Bibliography Sources for Music Notations Index Acknowledgments

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