ENGLISH

Global Perspectives on Amateur Film Histories and Cultures

By Masha Salazkina; Enrique Fibla-Gutiérrez

Book information

Publisher
Indiana University Press
Year
2020
ISBN
0253052025, 9780253052025
Language
english
Format
PDF
Filesize
14 MB (14750997 bytes)
Pages
348\349
Time added
2021-07-07 09:21:32

Description

For too long, the field of amateur cinema has focused on North America and Europe. In Global Perspectives on Amateur Film Histories and Cultures, however, editors Masha Salazkina and Enrique Fibla-Gutiérrez fill the literature gap by extending that focus and increasing inclusivity. Through carefully curated essays, Salazkina and Fibla-Gutiérrez bring wider meaning and significance to the discipline through their study of alternative cinema in new territories, fueled by different historical and political circumstances, innovative technologies, and ambitious practitioners. The essays in this volume work to realize the radical societal democratization that shows up in amateur cinema around the world. In particular, diverse contributors highlight the significance of amateur filmmaking, the exhibition of amateur films, the uses and availability of film technologies, and the inventive and creative approaches of filmmakers and advocates of amateur film. Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries. Cover Title Page Cotents Acknowledgments Introduction: Global Perspectives on Amateur Film Histories and Cultures Part I. Medium Specificity and Expanded Media Ecologies 1. Understanding (Amateur) Cinema: Epistemology and Technology 2. Crossing the Amateur Line: The Lesson of Even—As You and I 3. “I Give You a Toast to the Pioneers!” The Movie MakerTen Best Video Competition 1982–1983 4. From Insiders to Outsiders: Tracing Amateurism in Chinese Independent Documentary of the 1990s and the 2000s Part II. Institutions, Industry, and the State 5. Seeking Advice: A Political Economy of Israeli Commemorative Home Videos 6. Amateur Film in the Factory: Forms and Functions ofAmateur Cinema in Corporate Media Culture 7. The Ambitions of Amateur Film in Vichy France 8. On the Amateur Origins of Fernando Birri’s Documentary School of Santa Fe Part III. Politics of Legitimization and Subversion 9 The Wind from the South: Experiences of Substandard Filmmaking in Galicia in the 1970s 10. Super 8 in Mexico 11. The Videogiornale: Social Movements and Amateur Media Technologies in Bologna between the Late 1980s and theEarly 1990s 12. “A Vital Human Place” for the Counterculture: Fifth Estate and Amateur Film Culture in Detroit, 1965–1967 13. Ingvars Leitis’s Subversive Ethnographic Documentaries,1975–1989: Cover Stories and National Representation in Soviet Latvia Part IV. Transnational Networks: Amateur Cinema Travels 14. Worldly Matters: Distributed Histories of TunisianAmateur Cinema and the Screening ofNontheatrical Film 15. Early International Super 8 Film Festivals: The Case of Caracas 1976–1980 16. A Gift to Mother: “The Most Universally Appealing Kind of Film That Any Amateur Can Hope to Make” 17. Postcards from Yiddishland: Amateur Filmmaking and Vernacular Yiddish Culture Index

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