ENGLISH

Air’s Appearance: Literary Atmosphere in British Fiction, 1660–1794

Book information

Publisher
University of Chicago Press
Year
2012
ISBN
0226476693, 978-0226476698
Language
english
Format
PDF
Filesize
2 MB (1573218 bytes)
Pages
306\306
Time added
2019-05-30 03:59:56

Description

In Air’s Appearance, Jayne Elizabeth Lewis enlists her readers in pursuit of the elusive concept of atmosphere in literary works. She shows how diverse conceptions of air in the eighteenth century converged in British fiction, producing the modern literary sense of atmosphere and moving novelists to explore the threshold between material and immaterial worlds. Air’s Appearance links the emergence of literary atmosphere to changing ideas about air and the earth’s atmosphere in natural philosophy, as well as to the era’s theories of the supernatural and fascination with social manners—or, as they are now known, “airs.” Lewis thus offers a striking new interpretation of several standard features of the Enlightenment—the scientific revolution, the decline of magic, character-based sociability, and the rise of the novel—that considers them in terms of the romance of air that permeates and connects them. As it explores key episodes in the history of natural philosophy and in major literary works like Paradise Lost, “The Rape of the Lock,” Robinson Crusoe, and The Mysteries of Udolpho, this book promises to change the atmosphere of eighteenth-century studies and the history of the novel. Contents......Page 6 List of Figures......Page 8 Acknowledgments......Page 10 Introduction......Page 12 1. Rounds of Air......Page 25 2. “Other Air”: Boyle’s Spring, Milton’s Fall, and the Making of Literary Atmosphere......Page 47 3. “Discontented Air”; or, The Rape of the Lock......Page 72 4. Novel Atmographies: Eighteenth-Century Weather Writing and the Atmospheres of Robinson Crusoe......Page 103 5. Spectral Currencies and the Air of Reality in A Journal of the Plague Year......Page 122 6. The Dissipation of Tom Jones......Page 141 7. Glanvill’s Ghost, Cold Sociability, and “the Cure of Arabella’s Mind"......Page 172 8. In Factitious Airs: Radcliffe’s Priestley......Page 201 9. Priestley’s Radcliffe and the Experimental Gothic......Page 230 Notes......Page 262 Index......Page 300

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