ENGLISH

Telecinematic Stylistics

By Christian Hoffmann (editor) , Monika Kirner-Ludwig (editor)

Book information

Publisher
Bloomsbury Academic
Year
2020
ISBN
1350042854, 9781350042858
Language
english
Format
PDF
Filesize
9 MB (9517420 bytes)
Series
Advances in Stylistics
Pages
352\350
Time added
2022-09-13 13:52:31

Description

Over the last two decades, the study of discourse in film and television has become one of the most promising research avenues in stylistics and pragmatics due to the dazzling variety of source material and the huge pragmatic range within it. Meanwhile, with the advent of streaming and the box set, film and television themselves are becoming separated by an increasingly blurred line. This volume closes a long-standing gap in stylistics research, bringing together a book-level pragmastylistic showcase. It presents current developments from the field from two complementary perspectives, looking stylistically at the discourse in film and the discourse of and around film. This latter phrase comes to mean the approaches which try to account for the pragmatic effects induced by cinematography. This might be the camera work or the lighting, or the mise en scène or montage. The volume takes a multimodal approach, looking at word, movement and gesture, in keeping with modern stylistics. The volume shows how pragmatic themes and methods are adapted and applied to films, including speech acts, (im)politeness, implicature and context. In this way, it provides systematic insights into how meanings are displayed, enhanced, suppressed and negotiated in both film and televisual arts. Contents List of illustrations Notes on contributors Acknowledgements Introduction • Christian Hoffmann 1 ‘I shouldn’t have let this happen’: Demonstratives in film dialogue and film representation • Maria Pavesi 2 On the usefulness of the Sydney Corpus of Television Dialogue as a reference point for corpus stylistic analyses of TV series • Monika Bednarek 3 ‘Drucilla, we need to talk’: The formulaic nature of problem-oriented talk in soap operas • Sabine Jautz and Verena Minow 4 Repetition in sitcom humour • Thomas C. Messerli 5 Ideology in the multimodal discourse of television documentaries on Irish travellers’ and gypsies’ communities in the UK • Roberta Piazza 6 Voice-over and presenter narration in TV documentaries • Jan Chovanec 7 A mixed-method analysis of autism spectrum disorder representation in fictional television • Susan Reichelt 8 The visual discourse of shots and cuts: Applying the cooperative principle to horror film cinematography • Christoph Schubert 9 Effectful advertising? Film trailers and their relevance for prospective audiences • Heike Krebs 10 Adapting scripture to (trans)script: A cognitive-pragmatic approach to cinematic strategies of evoking pseudo-medieval frames • Monika Kirner-Ludwig 11 How comics communicate on the screen: Telecinematic discourse in comic-to-film adaptations • Christina Sanchez-Stockhammer 12 ‘Subtitles have to become my ears not my eyes’: Pragmatic-stylistic choices behind Closed Captions for the deaf and hard of hearing: the example of Breaking Bad • Annie Dahne and Roberta Piazza 13 Metapragmatic awareness in cinematic discourse: Cohesive devices in Notorious (Hitchcock, 1946) • Adriana Gordejuela Index

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