A New Program for Graphic Design

Description

A toolkit for visual literacy in the 21st century A New Program for Graphic Design is the first communication-design textbook expressly of and for the 21st century. Three courses―Typography, Gestalt and Interface―provide the foundation of this book. Through a series of in-depth historical case studies (from Benjamin Franklin to the Macintosh computer) and assignments that progressively build in complexity, A New Program for Graphic Design serves as a practical guide both for designers and for undergraduate students coming from a range of other disciplines. Synthesizing the pragmatic with the experimental, and drawing on the work of Max Bill, Beatrice Warde, Muriel Cooper and Stewart Brand (among many others),, it builds upon mid- to late-20th-century pedagogical models to convey contemporary design principles in an understandable form for students of all levels―treating graphic design as a liberal art that informs the dissemination of knowledge across all disciplines. For those seeking to understand and shape our increasingly networked world of information, this guide to visual literacy is an indispensable tool. David Reinfurt (born 1971), a graphic designer, writer and educator, reestablished the Typography Studio at Princeton University and introduced the study of graphic design. Previously, he held positions at Columbia University Graduate School of Architecture, Planning and Preservation, Rhode Island School of Design and Yale University School of Art. As a cofounder of O-R-G inc. (2000), Dexter Sinister (2006) and the Serving Library (2012), Reinfurt has been involved in several studios that have reimagined graphic design, publishing and archiving in the 21st century. He was the lead designer for the New York City MTA Metrocard vending machine interface, still in use today. His work is included in the collections of the Walker Art Center, Whitney Museum of American Art, Cooper Hewitt National Design Museum and the Museum of Modern Art. He is the co-author of Muriel Cooper (MIT Press, 2017), a book about the pioneering designer. Preface, Adam Michaels Foreword, Ellen Lupton Introduction T-Y-P-O-G-R-A-P-H-Y Postmasters Assignment 1, Letterpress Farewell, Etaoin Shrdlu Raytracing with Moholy-Nagy Assignment 2, Photocopier T as in Tree This stands as a sketch for the future. Assignment 3, Computer Mathematical Typography Further Reading G-E-S-T-A-L-T A Few Forms Assignment 1, Stop The Language of Visual Thinking Assignment 1 (adjusted), Go Currently in Process Assignment 2, Wait After Effects Assignment 3, RGB v. CMYK ABC, TV, NeXT Global Branding Further Reading I-N-T-E-R-F-A-C-E Assignment 1, Apple Watch Zapotecs & Pulsars Olivetti’s Interfaces “… Meet the Tetracono” Touch Start to Begin Desktops, Trashcans Further Reading Author Acknowledgments Publisher Acknowledgments