Liturgy, Books and Franciscan Identity in Medieval Umbria

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In Liturgy, Books and Franciscan Identity in Medieval Umbria, Anna Welch explores how early Franciscan friars produced the missals essential to their liturgical lives, and reflects on both the construction of ritual communal identity and historiographic trends regarding this process. Liturgy, Books and Franciscan Identity in Medieval Umbria Copyright Contents Acknowledgements List of Plates Abbreviations Introduction The Codex Sancti Paschalis Limitations, Terms and Definitions 1: The Silent Parchment? A New Methodology for the Study of Missals 1.1 The Historiography of Illuminated Liturgical Manuscripts 1.2 Art History and the Codex Sancti Paschalis Maestro di Deruta-Salerno Venturella di Pietro Mss. Linked to the CSP and/or Mss. Listed above, Without Specific Attribution to a Master/School 1.3 Selection Rationale for the Missals under Study 1.4 Towards a New Model for Manuscript Studies: Liturgical History Meets Ritual and Performance Theory 2: Quarrelling Brothers – Liturgy and Identity, 1209–1274 2.1 The Narrative of Franciscan Liturgical History 2.2 Franciscan Liturgy: The Regula Editions? 2.2.1 The Regula Missal 2.2.2 The Regula Breviary 2.3 Elias of Cortona to Haymo of Faversham: The Concept of a Second Founder 2.3.1 Haymo’s Ordinal 2.3.2 The Question of Liturgical Unity 2.4 John of Parma to Bonaventure: The Difficulties of Achieving iturgical Unity 2.5 The Friars Minor, Liturgy and Identity in the Thirteenth Century 3: The Order of Friars Minor and the Book 3.1 The Scribes 3.2 The Miniaturists 3.2.1 Friar-Miniaturists in a Scriptorium in Assisi? 3.2.2 Scholarly Conceptualisation of a Simplistic Franciscan Decorative Style and Its Meaning 3.3 ‘Pauperistico’? Franciscan Spirituality in Perugian Miniatures 3.3.1 Crucifixion Miniatures from the Selected Missals 3.4 Conclusions 4: Calendars – Comparing the Evidence 4.1 The Historiography and Methodology of Studying Sainthood, Liturgical Calendars and the Commemoration of Saints 4.2 Short Catalogue Entries for CSP and B–E: Codicology and Provenance 4.3 The Calendars Compared Key to Symbols and Abbreviations 4.4 Conclusions 5: Celebrating Saints – Articulating Communal Identity through Liturgy 5.1 Selection of Feasts for Analysis; Methodology 5.2 The Feasts in CSP and B–E 5.2.1 Feasts of St. Francis 5.2.2 Feasts of St. Anthony of Padua 5.2.3 Feasts of St. Clare 5.2.4 Feast of Elisabeth of Hungary 5.2.5 Feast of St. Louis of Toulouse 5.2.6 Feast of St. Louis ix, King of France 5.2.7 Feasts of St. Herculanus, Bishop of Perugia 5.2.8 Feast of Ubaldo, Patron Saint of Gubbio 5.2.9 Feast of St. Dominic 5.2.10 Feast of St. Peter Martyr (of Verona) 5.2.11 Feast of Augustine of Hippo 5.2.12 Feast of St. Bernard of Clairvaux 5.2.13 Feasts of the Virgin 5.3 Categories of Interpretation 5.3.1 Rubrication 5.3.2 Wording of the Entries 5.3.3 Inclusion/Exclusion of Localised Feasts in a) Calendar and b) Proper of the Saints 5.3.4 Inclusion/Exclusion of Feasts from Other Orders (i.e. Dominicans and Cistercians) 5.3.5 Relationship to Roman Curia’s Calendar 5.3.6 Additions and Absences 5.3.7 Adherence to Haymo’s Ordinal Conclusions and Directions for Future Research: The Codex Sancti Paschalis from the Thirteenth to the Twenty-First Centuries Liturgy’s Role in the Construction of Communal Identity amongst the Medieval Order of Friars Minor Questions for Future Research The Codex Sancti Paschalis as a Site of Communal Memory Appendix 1: Previous Studies of the Codex Sancti Paschalis Appendix 2: Liturgical Contents of the Codex Sancti Paschalis Bibliography 1. Primary 1.1 Manuscripts Consulted 2. Secondary Index of Modern Authors Index of Subjects