Modernist Work: Labor, Aesthetics, and the Work of Art

Description

Through a wide-ranging selection of essays representing a variety of different media, national contexts and critical approaches, this volume provides a broad overview of the idea of work in modernism, considered in its aesthetic, theoretical, historical and political dimensions. Several individual chapters discuss canonical figures, including Richard Strauss, Joseph Conrad, Virginia Woolf, Franz Kafka and Gertrude Stein, but Modernist Work also addresses contexts that are chronologically and geographically foreign to the main stream of modernist studies, such as Swedish proletarian writing, Haitian nationalism and South African inheritors of Dada. Prominent historical themes include the ideas of class, revolution and the changing nature of women’s work, while more conceptual chapters explore topics including autonomy, inheritance, intention, failure and intimacy. Modernist Work investigates an important but relatively neglected topic in modernist studies, demonstrating the central relevance of the concept of “work” to a diverse selection of writers and artists and opening up pathways for future research. This collection posits that “work” is a modernist keyword. In the phrase “work of art”, it designates one of modernism’s most urgently debated aesthetic and ontological questions, calling to mind such themes as the artwork’s autonomy or its status in an age of mechanical reproduction. As the name of a process, “work” denotes another, closely related subject of modernist inquiry, to do with the social identity of the artist and the vexed status of artistic production in a period of accelerating industrialization. “Work”, finally, is a modernist keyword because the transformation of the Arbeitswelt was one of the modernist period’s most significant vectors of historical change. Through a wide-ranging selection of essays representing a variety of different media, national contexts, and critical approaches, this collection provides a broad overview of the idea of work in modernism, considered in its historical, political, aesthetic, and theoretical dimensions. Cover Half Title Title Copyrights Content List of Figures Notes on Contributors Acknowledgments An Introduction to Modernist Work John Attridge Part I The Work of Art Chapter 1 The Absolute and the Impossible Work : Franz Kafka ’s “The Burrow ”Robert Buch Chapter 2 Autonomy, Difficulty, and the Work of Literature in Wynd ham Lewis’s Tarr and Andr ÉGide’s The Counterfeiters Emmett Stinson Chapter 3 Mimesis and the Task of the Writer for Lawrence and Woolf Helen Rydstrand Part II Artistic Labor Chapter 4 Richard Strauss at Work in his Works David Larkin Chapter 5 Stein’s Immaterial Labors Kristin Grogan Chapter 6 Trace and Facture : Legacies of the “Ready-made” in Contemporary South African Art Alison Kearney Part III Representing Work and Workers Chapter 7 Joseph Conrad’s Nostromo: Work,Inheritance,and Desert in The MODERNIST NOVEL Evelyn T.Y.Chan Chapter 8 Magic,Modernity,and Women at Work Caroline Webb Chapter 9 The Disclosure of Work in the Poetry of Ron Silliman Christopher Oakey Part IV Class Identity and Class Conflict Chapter 10 Swedish Social Modernism : The Inward and Outward Turn in Eyvind Johnson’s Stadiljus Niklas Salmose Chapter 11 Percussion and Repercussion :The Haitian Revolution as Worker Uprising in Guy Endore’s Babouk (1934) and C.L.R. James’s Black Jacobins (1938) Sascha Morrell Chapter 12 Domestic Holocaust: Michael Haneke’s Intractable Class War Paul Sheehan Afterword : Work,Modernism,and Thinking Through the Aesthetic Morag Shiach Index