ENGLISH

Selected Essays on Intermediality by Werner Wolf (1992–2014): Theory and Typology, Literature-Music Relations, Transmedial Narratology, Miscellaneous Transmedial Phenomena

Book information

Publisher
Brill | Rodopi
Year
2017
ISBN
9004346635, 9789004346635
Language
english
Format
PDF
Filesize
14 MB (14420774 bytes)
Series
Studies in Intermediality 10
Pages
692\692
Library
Memory of the World Library
Time added
2021-10-06 22:26:16

Description

This volume collects twenty-two major essays by Werner Wolf published between 1992 and 2014, which have contributed to establishing 'intermediality' as an internationally recognized research field, providing a widely accepted typology of the field and opening intermedial perspectives on areas as varied as narratology, metareferentiality and iconicity. Contents Preface Part I Intermediality: Theory and Typology Chapter 1 Intermedialität als neues Paradigma der Literaturwissenschaft? Plädoyer für eine literaturzentrierte Erforschung von Grenzüberschreitungen zwischen Wortkunst und anderen Medien am Beispiel von Virginia Woolfs „The String Quartet“ [1996] Chapter 2 Towards a Functional Analysis of Intermediality: The Case of Twentieth-Century Musicalized Fiction [2002] Chapter 3 Intermedialität: Ein weites Feld und eine Herausforderung für die Literaturwissenschaft [2002] Chapter 4 Möglichkeiten und Grenzen der Übertragung literaturwissenschaftlicher Terminologie auf Gegenstände der Kunstwissenschaft: Überlegungen zu einem Weg interdisziplinärer Verständigung am Beispiel von ‚Erzählsituationen‘ und ‚Metafiktion‘ [2007] Chapter 5 The Relevance of Mediality and Intermediality to Academic Studies of English Literature [2008] Chapter 6 Intermedialität und mediale Dominanz: typologisch, funktionsgeschichtlich und akademisch-institutionell betrachtet [2010] Chapter 7 Intermedialität: Konzept, literaturwissenschaftliche Relevanz, Typologie intermedialer Formen [2014] Part II Literature–Music Relations Chapter 8 Can Stories Be Read as Music? Possibilities and Limitations of Applying Musical Metaphors to Fiction [1992] Chapter 9 Musicalized Fiction and Intermediality: Theoretical Aspects of Word and Music Studies [1999] Chapter 10 “Willst zu meinen Liedern deine Leier drehn?”: Intermedial Metatextuality in Schubert’s “Der Leiermann” as a Motivation for Song and Accompaniment and a Contribution to the Unity of Die Winterreise [2001] Chapter 11 Language and/or Music as Man’s ‘Comfort’?: Beckett’s Metamedial Allegory Words and Music [2005] Chapter 12 Metafiction and Metamusic: Exploring the Limits of Metareference [2007] Chapter 13 Metamusic? Potentials and Limits of ‘Metareference’ in Instrumental Music: Theoretical Reflections and a Case Study (Mozart’s Ein musikalischer Spaß) [2010] Part III Transmedial Narratology Chapter 14 Das Problem der Narrativität in Literatur, bildender Kunst und Musik: ein Beitrag zu einer intermedialen Erzähltheorie [2002] Chapter 15 Narrative and Narrativity: A Narratological Reconceptualization and its Applicability to the Visual Arts [2003] Chapter 16 Narrativity in Instrumental Music? A Prototypical Narratological Approach to a Vexed Question [2008] Chapter 17 Narratology and Media(lity): The Transmedial Expansion of a Literary Discipline and Possible Consequences [2011] Chapter 18 Framings of Narrative in Literature and the Pictorial Arts [2014] Part IV Miscellaneous Transmedial Phenomena Chapter 19 Intermedial Iconicity in Fiction – Tema con variazioni [2003] Chapter 20 Metalepsis as a Transgeneric and Transmedial Phenomenon: A Case Study of the Possibilities of ‘Exporting’ Narratological Concepts [2005] Chapter 21 Mise en cadre – a Neglected Counterpart to Mise en abyme: A Frame-theoretical and Intermedial Supplement to Classical Narratology [2010] Chapter 22 Wiederholung bzw. Ähnlichkeit in der (Sprach-)Kunst als sinnstiftende formale Selbstreferenz [2014] Sources Bibliography of Publications on Intermediality by Werner Wolf Index

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