The Revenger’s Tragedy: The State of Play
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The Revenger’s Tragedy (1606), now widely attributed to Thomas Middleton, is a play that provides a dark, satirical response to other revenge tragedies such as Hamlet. With its over-the-top and highly theatrical approach to revenge, The Revenger’s Tragedy has emerged as one of the most compelling examples of a drama by one of Shakespeare’s contemporaries. This collection of ten newly-commissioned essays situates the play with respect to other Middleton and Shakespeare works as well as repertory, showcasing recent research about the play’s engagement with issues such as religion, genre, race, language and performance. Cover Half-title Title Copyright Contents List of Illustrations Series Preface Notes on Contributors Acknowledgements Part One: Religion and Genre 1. Vindice and the Vice of Revenge: The Revenger’s Tragedy and the Morality Play Tradition 2. Pleading For and Against the Devil: Satirical Ethics and Efficacy in The Revenger’s Tragedy 3. Playing with Hell: The Revenger’s Tragedy and the Infernal 4. Calvinism and the Problematic of Character in The Revenger’s Tragedy Part Two: History and Topicality 5. Fashioning English Whiteness in The Revenger’s Tragedy 6. ‘’Cause I love swearing’: Strong Language, Revenge and the Body in The Revenger’s Tragedy 7. The Dramaturgy of The Revenger’s Tragedy 8. ‘Whose head’s that then?’: Head-tricks, Bed-tricks and Theatrics in The Revenger’s Tragedy Part Three: Performance 9. Objects and Gender: The Revenger’s Tragedy in Performance and on Film 10. Forced Modernity in The Revenger’s Tragedy Performances Afterword: Doing Battle on Behalf of a Skull Index
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