ENGLISH

Disruptive Divas: Feminism, Identity and Popular Music

By Lori Burns , Melisse Lafrance

Book information

Publisher
Routledge
Year
2001
ISBN
0815335539, 9780815335535
Language
english
Format
PDF
Filesize
6 MB (6261430 bytes)
Series
Studies in Contemporary Music and Culture
Edition
1
Pages
276\276
Time added
2023-01-19 14:52:21

Description

Disruptive Divas focuses on four female musicians: Tori Amos, Courtney Love, Me'Shell Ndegéocello and P. J. Harvey who have marked contemporary popular culture in unexpected ways have impelled and disturbed the boundaries of "acceptable" female musicianship. Contents General Introduction Acknowledgments Preface 1 A Cultural Studies Approach to Women and Popular Music • Mélisse Lafrance 2 “Close Readings” of Popular Song: Intersections among Sociocultural, Musical, and Lyrical Meanings • Lori Burns 3 Tori Amos, “Crucify” (1991) The Problems of Agency and Resistance in Tori Amos’s “Crucify” • Mélisse Lafrance Musical Agency: Strategies of Containment and Resistance in “Crucify” • Lori Burns 4 Courtney Love (Hole), Live through This (1994) Cultures of Injury: Courtney Love on Violence against Women and the Patriarchal Aesthetic • Mélisse Lafrance Musical Force: Violence and Resistance in “Violet” • Lori Burns 5 Me’Shell Ndegéocello, “Mary Magdalene” (1996) Textual Subversions: The Narrative Sabotage of Race, Gender, and Desire in the Music of Me’Shell Ndegéocello • Mélisse Lafrance Revising the Sexual “Gaze”: Musical Attributions of Power in “Mary Magdalene” • Lori Burns 6 P.J. Harvey Is This Desire? (1998) Terrains of Trouble: P.J. Harvey and the Topography of Desire • Mélisse Lafrance The Crafting of Desire: Musical Voice and Musical Embodiment • Lori Burns Appendix 1: Song Lyrics Appendix 2: Reductive Analysis: Notation Terminology Notes Bibliography Index

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