ENGLISH

Performing Moving Images: Access, Archives and Affects

By DR. Senta Siewert

Book information

Publisher
Amsterdam University Press
Year
2020
ISBN
9462985839, 9789462985834
Language
english
Format
PDF
Filesize
2 MB (1717605 bytes)
Series
Framing Film
Edition
1
Pages
190\191
Time added
2021-06-20 20:51:39

Description

Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse. Table of Contents Introduction: Experimental Cinema, Expanded Cinema, and Artist's Film Chapter 1. Access: Agents, Archives Archive - Whether to preserve or to show Programming - Historiography in the making Curating - Montage of contexts Case study: Arsenal – Living Archive Project, Berlin Expanded cinema - Expanded consciousness and event Case study: Forum Expanded, Berlin Film Festival Case study: International Short Film Festival, Oberhausen Case study: Anthony McCall's Line Describing a Cone Archival impulse - Archive fever Notes Bibliography Chapter 2. Affect: Performance, Audience Black box and white cube Case study: Anthology Film Archives, New York Case study: LUX, Light Industry, Filmforum, LaborBerlin Case study: Harun Farocki Case study: Eye Film Museum, Amsterdam Aesthetic experience Music in film studies Sensual pleasure Case study: Sonic Acts Festival, Amsterdam Case study: Psychedelia and the International Film Festival Rotterdam (IFFR) Programming affects Notes Bibliography Chapter 3. Reconstruction: Memory and Audio-Visual Heritage Historiography - Films that make history Case study: The Realm of Possibilities 4 - Access: Diamonds, Enter, Fin Documents - Testifying the past Found footage - Sampling and remixing images and music Experimental music videos in museums Case study Deutsches Filminstitut Filmmuseum, Frankfurt Audio-visual heritage Expanded heritage Memory - Joyful archive of experiences Experimental films and philosophy Notes Bibliography Outlook Notes Conclusion Acknowledgements Illustrations General bibliography Index

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