Guy Debord and the situationist international: texts and documents

Description

Indhold:Tom McDonough: Introduction: Ideology and the Situationist Utopia; Greil Marcus: The Long Walk of the Situationist International; Guy Debord: The Great Sleep and Its Clients (1955): One Step Back (1957): Report on the Construction of Situations and on the Terms of Organizations and Action of the International Situationist Tendency (1957): One More Try If You Want to Be Situationists (The SI in and against Decompositiaon) (1957): Theses on Cultural Revolution (1958): Contribution to the Debate "Is Surrealism Dead or Alive?" (1958): The Situationists and the New Forms of Action in Politics on Art (1963); Michèle Bernstein: In Praise of Pinot-Gallizio (1958); Constant: Extracts from Letters to the Situationist International (1958): A Different City for a Different Life (1959); Editorrial Notes: Absence and Its Costumers (1958): The Meaning of Decay in Art (1959): Critique of Ubanism (1961): Once Again, on Decomposition (1961): Priority Communication (1962): The Avant-Garde of Presence (1963): All the King's Men (1963); Raoul Vaneigem: Comments against Urbanism (1961); Théo Frey: Perspectives for a Generation (1966); Mustapha Khayati: Captive Words (Preface to a Situationist Doctionary (1966); René Viénet: The Situationists and the New Forms of Action against Politics and Art (1967); The Practice of Theory: Cinema and Revolution (1969); Claire Gilman: Asger Jorn's Avant-Garde Archives; Libero Andreotti: Architecture and Play; Tom McDonough: Situationist Space; Kristin Ross: Lefebvre on the Situationists: An Interview; Vincent Kauffman: Angels of Purity; Giorgio Agamben: Difference and Repetition: On Guy Debord's Films; Thomas Y. Levin: Dismentling the Spectacle: The Cinema of Guy Debord; Jonathan Crary: Spectacle, Attention, Counter-Memory; T.J. Clark and Donald Nicholson-Smith: Why Art Can't Kill the Situationist International; Letter and Response.