ENGLISH

Immersion and Participation in Punchdrunk’s Theatrical Worlds

By Carina E. I. Westling

Book information

Publisher
Methuen Drama
Year
2020
ISBN
9781350101951, 9781350101944, 9781350101982, 9781350101975
Language
english
Format
PDF
Filesize
12 MB (12503919 bytes)
Pages
\209
Time added
2023-05-22 03:07:13

Description

Immersion and Participation in Punchdrunk’s Theatrical World provides an intimate account of the company's award-winning productions and practices. Examining Pundrunk's role as pioneers of immersive theatre in the UK through a range of their productions including Sleep No More and The Drowned Man besides earlier works including Kaberoi, The Borough, Faust and The Duchess of Malfi, the book presents an original theoretical framework for understanding what it is that makes theatrical experience immersive. Central to the book is a study of how the company's immersive experience is produced through careful design of interaction as a component of physical and digital scenography for participatory audiences. Based on detailed ethnographies of the making cultures of the company and their live and online audiences, the book interrogates the relationship between the detailed aesthetics of interaction and the experience of immersion in Punchdrunk’s work. Reflecting on differences in the material cultures of digital and physical making and what they mean for interaction design in theatre, the book introduces a framework for understanding immersion and shows how Punchdrunk’s work with audiences and immersion provides a blueprint for next-generation interaction design that meets challenges associated with scenography for interactive multimedia environment Title Page Copyright Page Contents Figures Introduction Immersion and the sublime The technological gaze in interactive systems Designing for agency, not agents Chapter 1: Immersion in Punchdrunk’s Theatre Working with Punchdrunk: sensing, making and thinking Scaling up: space, time, audiences Audience immersion on- and offline Theatres of action Notes Chapter 2: A Genealogy of the Immersive Aesthetic Key influences on the immersive aesthetic Anti-realist modernism in experimental theatre Complicity and participation Blended spaces and the vertigo of transformation Punchdrunk’s emerging aesthetic Notes Chapter 3: Punchdrunk’s Interactive Systems The shadow choreography and structure of Punchdrunk’s worlds Emergence and order Art-work and algorithmic audiences Notes Chapter 4: Behind the Interface – Making Punchdrunk’s Storyworlds Building storyworlds Devising and performing Notes Chapter 5: Audience Experience and Participation Analysing Punchdrunk audiences Active immersion The effects of anonymity Delinquent system aesthetics Notes Chapter 6: The Shape of Agency in Interactive Storyworlds Perspectives on agency in interactive systems Scenography as experience infrastructure in physical and virtual worlds The postdigital sublime: beyond the digital mythos Notes Chapter 7: Impure Futures Condemned to change The sublime versus efficiency Harnessing the un-modern Notes Appendix Analysis of interview data Social media data References Index

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