Aesthetics, Philosophy and Martin Creed
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What is the future of conceptualism? What expressions can it take in the 21st century? Is there a new role for aesthetic experience in art and, if so, what is that role exactly? Aesthetics, Philosophy and Martin Creed uses one of this generation’s most important and influential artists to address themes crucial to contemporary aesthetics. Working in an impressive variety of artistic media, Creed represents a strikingly innovative take on conceptualism. Through his ingenious and thought-provoking work, a team of international philosophers, curators and historians of art illustrate how Creed epitomizes the very best the artworld has to offer today and provide a glimpse of the future both of art and aesthetic discourse. They discuss key concepts for Creed’s work, including immediacy (in his photographs of smiling people), compositional order (in his geometric paintings), simplicity (in Work No. 218, a sheet paper crumpled into a ball), and shamelessness (in his videos of vomiting people). By bringing a working artist into the heart of academic discussions, Aesthetics, Philosophy and Martin Creed highlights the relevance of philosophical discussions of art to understanding aesthetics and art today. Half Title Series Page Title Page Copyright Page Contents Illustrations Contributors Introduction Statements Chapter 1: Where in the (art)world is Martin Creed? Chapter 2: Martin Creed’s ‘workless’ works of art Chapter 3: S T U P I D A R T Chapter 4: How not to be an uncollectible artist Chapter 5: An expression of the essential: Martin Creed and the celebration of the ordinary Chapter 6: Martin Creed: Conceptual art and more Chapter 7: The logical and the phenomenological in Martin Creed’s chairs Chapter 8: Which ‘Martin Creed’?: Or switching from insignificance to significance Chapter 9: Process art as an aesthetic alternative: Martin Creed’s Glasgow connection Index of Names and Works Thematic Index
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