ENGLISH

The Drama and Theatre of Sarah Ruhl

By Amy Muse

Book information

Publisher
Methuen Drama
Year
2018
ISBN
9781350007819, 9781350007833, 9781350007802
Language
english
Format
PDF
Filesize
2 MB (1916383 bytes)
Series
Critical Companions
Pages
\234
Time added
2023-05-22 03:20:59

Description

Sarah Ruhl is one of the most highly-acclaimed and frequently-produced American playwrights of the 21st century. Author of eighteen plays and the essay collection 100 Essays I Don’t Have Time to Write, she has won a MacArthur “Genius” Grant and the Steinberg Distinguished Playwright Award, been nominated for a Tony Award for In the Next Room or the vibrator play and twice been a finalist for the Pulitzer Prize for The Clean House and In the Next Room. Ruhl is a writer unafraid of the soul. She writes not about “this or that issue,” but “about being,” creating plays that ask “big questions about death, love, and how we should treat each other in this lifetime.” In this volume, Amy Muse situates Ruhl as an artist-thinker and organizes her work around its artistic and ethical concerns. Through a finely-grained account of each play, readers are guided through Ruhl’s early influences, the themes of intimacy, transcendence, and communion, and her inventive stagecraft to dramatize “moments of being” onstage. Enriched by essays from scholars Jill Stevenson, Thomas Butler, and Christina Dokou, an interview with directors Sarah Rasmussen and Hayley Finn, and a chronology of Ruhl’s life and work, this is a companionable guide for students of American drama and theatre studies Amy Muse specializes in dramatic literature and performance studies at the University of St. Thomas in St. Paul, Minnesota, where she is Associate Professor and Chair of the English Department. She is the author of “Sarah Ruhl’s Sex Ed for Grownups” (Text & Presentation 2013) and essays on Romantic drama, intimate theatre, female Hamlets, and travel in Romantic Circles, Romanticism: The Journal of Romantic Culture & Criticism, Frontiers, and other journals Cover Title Copyright Contents Acknowledgments Preface 1. “What Aesthetic Form Might Consciousness Take?” Snowless Chekhov adaptations Woolf ’s Orlando Dear Elizabeth Coda 2. “I Like Plays Th at Have Revelations in the Moment, Where Emotions Transform Almost Inexplicably” Eurydice Demeter in the City Melancholy Play Scenes from Court Life or the whipping boy and his prince Coda 3. “Getting in the Same Room is Kind of the Dream” The Clean House Late: A Cowboy Song Dead Man’s Cell Phone In the Next Room or the vibrator play Stage Kiss Coda 4. “I’m Interested in Th ose More Invisible Terrains” Passion Play The Oldest Boy To Peter Pan on Her 70 th Birthday How to Transcend a Happy Marriage Coda 5. Directing Sarah Ruhl: An Interview with Sarah Rasmussen and Hayley Finn 6. Critical Perspectives Sarah Ruhl’s Passion Play and Contemporary Expressions of Medieval Performance From Pontius Pilate to Peter Pan: Lightness in the Plays of Sarah Ruhl Arrested Dev-elopement: Myth-Understanding Father-Daughter Love in Sarah Ruhl’s Eurydice Afterword: “I Had Hoped To Give Them Pleasure” Chronology Notes Bibliography Notes on Contributors Index

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