ENGLISH

Classical and Romantic Performing Practice 1750-1900

By Clive Brown

Book information

Publisher
Oxford University Press, USA
Year
2000
ISBN
0-19-816165-4, 9780198161653, 9780191541704, 0191541702
LCC
ML457 .B76 1999
Open Library ID
OL15488021M
Language
english
Format
PDF
Filesize
29 MB (30039168 bytes)
Pages
677\677
Time added
2012-02-04 16:00:00

Description

The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.

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