ENGLISH

Musical Identities and European Perspective: An Interdisciplinary Approach (Eastern European Studies in Musicology)

By Franco Fabbri (editor) , Ivana Perkovic (editor)

Book information

Publisher
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Year
2017
ISBN
9783631672310, 3631672314
Language
english
Format
PDF
Filesize
6 MB (5906589 bytes)
Edition
New
Pages
298\300
Time added
2022-06-08 09:44:42

Description

This book focuses on the relationship between identity and music in Europe from different angles. It takes two basic categories into account: identities in music and music in identities. The authors provide studies on identity construction in different historical and geographical contexts. They also evaluate the discourse of popular music in Europe and analyze various topics related to complex and changing concepts of identity, whether it is about an individual composer, issues of style or musical work itself. Cover Table of Contents Introduction Music and Identity: Defining ‘Self’ and ‘Other’ The Velvet Curtain. European Identities and Lithuanian Musical Imagination in the Post-Communist Era (Rūta Stanevičiūtė) Karol Szymanowski and His Concept of Modern Music Culture (Małgorzata Janicka-Słysz) From ‘Good Other’ to ‘Ideal Self’: Images of Russian Otherness in France and the Iberian Peninsula at the Turn of the 20th Century (Paulo F. de Castro) Ambiguity, Mimicry and War: Alla Turca in Contredanse K 535 by Wolfgang Amadeus Mozart (Ivana Perković) Defining Identity: In Quest of ‘Lithuanianness’ in Piano Performance Art (Lina Navickaitė-Martinelli) Unity in Diversity Influence, imitation, and the reshaping of identities in European popular music (Franco Fabbri) Rock me Lane moje – European Identifications of Transitory Yugoslav/West Balkans’ Identities at the Eurovision Song Contest (Vesna Mikić) Memory, Spectacle, and the Image of Songs (Saskia Jaszoltowski) The Estonian Singing Revolution: Musematic Insights (Kaire Maimets) (Re)Conceptualizing Approaches to Music and ‘Europness’ Short Correspondence between Edgard Varèse and John Cage: Around, about and above ‘organized sound’ (Dragana Stojanović-Novičić) The Facets of the Decline of Avant-Garde Exclusivity as the Cause of Specific Stylistic Connotations of the Musical Avant-Garde Today (Mirjana Veselinović-Hofman) Types of Transtextuality in Selected Works of Serbian Musical Postmodernism (Marija Masnikosa) The Musical Text and the Ontology of the Musical Work (Tijana Popović Mladjenović) List of Contributors

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