Beep To Boom: The Development Of Advanced Runtime Sound Systems For Games And Extended Reality
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Drawing on decades of experience, Beep to Boom: The Development of Advanced Runtime Sound Systems for Games and Extended Reality is a rigorous, comprehensive guide to interactive audio runtime systems. Packed with practical examples and insights, the book explains each component of these complex geometries of sound. Using practical, lowest-common-denominator techniques, Goodwin covers soundfield creation across a range of platforms from phones to VR gaming consoles. Whether creating an audio system from scratch or building on existing frameworks, the book also explains costs, benefits and priorities. In the dynamic simulated world of games and extended reality, interactive audio can now consider every intricacy of real-world sound. This book explains how and why to tame it enjoyably. Cover......Page 1 Half Title......Page 2 Series......Page 3 Title......Page 4 Copyright......Page 5 Contents......Page 6 Chapter 1 The Essence of Interactive Audio......Page 8 Chapter 2 Early Digital Audio Hardware......Page 18 Chapter 3 Sample Replay......Page 34 Chapter 4 Interactive Audio Development Roles......Page 42 Chapter 5 Audio Resource Management......Page 50 Chapter 6 Loading and Streaming Concepts......Page 58 Chapter 7 Streaming Case Studies......Page 70 Chapter 8 The Architecture of Audio Runtimes......Page 84 Chapter 9 Quick Curves—Transcendental Optimisations......Page 92 Chapter 10 Objects, Voices, Sources and Handles......Page 102 Chapter 11 Modelling Distance......Page 118 Chapter 12 Implementing Voice Groups......Page 126 Chapter 13 Implementing Listeners......Page 132 Chapter 14 Split-Screen Multi-Player Audio......Page 146 Chapter 15 Runtime System Physical Layers......Page 152 Chapter 16 Mixing and Resampling Systems......Page 160 Chapter 17 Interactive Audio Codecs......Page 180 Chapter 18 Panning Sounds for Speakers and Headphones......Page 190 Chapter 19 Ambisonic Surround-Sound Principles and Practice......Page 204 Chapter 20 Design and Selection of Digital Filters......Page 232 Chapter 21 Interactive Reverberation......Page 240 Chapter 22 Geometrical Interactions, Occlusion and Reflections......Page 256 Chapter 23 Audio Outputs and Endpoints......Page 262 Chapter 24 Glossary and Resources......Page 274 Acknowledgements......Page 284 Index......Page 286
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