ENGLISH

Postwar Italian Art History Today: Untying ‘the Knot’

By Sharon Hecker; Marin R. Sullivan (editors)

Book information

Publisher
Bloomsbury Visual Arts
Year
2017
ISBN
9781501330056, 9781501330087, 9781501330063
Language
english
Format
PDF
Filesize
18 MB (18895074 bytes)
Pages
\322
Time added
2023-05-22 12:33:00

Description

Postwar Italian Art History Today brings fresh critical consideration to the parameters and impact of Italian art and visual culture studies of the past several decades. Taking its cue from the thirty-year anniversary of curator Germano Celant’s landmark exhibition at PS1 in New York – The Knot – this volume presents innovative case studies and emphasizes new methodologies deployed in the study of postwar Italian art as a means to evaluate the current state of the field. Included are fifteen essays that each examine, from a different viewpoint, the issues, concerns, and questions driving postwar Italian art history. The editors and contributors call for a systematic reconsideration of the artistic origins of postwar Italian art, the terminology that is used to describe the work produced, and key personalities and institutions that promoted and supported the development and marketing of this art in Italy and abroad. Cover Half-title Title Copyright Contents List of Figures List of Contributors Acknowledgements Introduction Section I: Reconsidering the Weight of Italy 1. “Yes, but are you Italian?” Considering the Legacy of Italianità in Postwar and Contemporary Italian Art 2. Learning from Artists: Methodological Notes on Postwar Italian Art History 3. Gianni Pettena and Ugo La Pietra: Crossing the Boundaries Between Theory and Practice 4. Our Lady of Warka: Gino De Dominicis and the Search for Immortality Section II: Re-imagining Realism 5. Transatlantic Exchanges. Piero Dorazio: Non-objective Art vs. Abstract Expressionism? 6. Gleaning Italian Pop, 1960–6: The 1964 Venice Biennale, Renato Mambor’s “Thread,” and Pop as a Global Phenomenon 7. Photography, Visual Poetry, and Radical Architecture in the Early Works of Franco Vaccari Section III: Rethinking Modes of Patronage 8. Buying Marino Marini: The American Market for Italian Art after World War II 9. A House No Longer Divided: Patronage, Pluralism, and Creative Freedom in Italian Pre- and Postwar Art 10. Co-research and Art: Danilo Montaldi’s Horizontal Production of Knowledge 11. Shaping and Reshaping: Private and Institutional Patronage Section IV: Reassessing Arte Povera 12. Isolated Fragments? Disentangling the Relationship Between Arte Povera and Medardo Rosso 13. Gilberto Zorio’s Radical Fluidity 14. Summer Solstice AD MCMLXIII: Luciano Fabro’s Early Works 15. Transatlantic Arte Povera Index

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