Queer Ethics, Urban Spaces, and the Horrors of Monogamy in It Follows
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Description
Through its ironic critique of monogamy as a monstrous force, the horror film It Follows (David Robert Mitchell, 2014) advances, by way of negative example, a queer ethics of open, responsible sexuality—albeit an ethics constrained by the film’s setting in a present-day, neoliberal Detroit increasingly stripped of public services. By examining the film’s ambivalent nostalgia for both a generic and urban past, this essay argues that It Follows’s queer aesthetic achieves its emotional tenor through imaging Detroit’s decrepit (sub)urban spaces as haunted by polyvalent sexualities and socioeconomic inequalities.
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