ENGLISH

Music Scenes and Migrations: Space and Transnationalism in Brazil, Portugal and the Atlantic

Book information

Publisher
Anthem Press
Year
2020
ISBN
1785273841, 9781785273841
Language
english
Format
PDF
Filesize
17 MB (18062101 bytes)
Series
Anthem Brazilian Studies, 1
Pages
252\254
Time added
2022-01-08 02:56:34

Description

‘Music Scenes and Migrations’ brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged – such as São Paulo, Lisbon and Madrid – where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical ‘mainstream’. Cover Front Matter Half-title Title page Copyright information Table of Contents List of Illustrations Acknowledgments Parts 1 to 3 Part 1 Colonial and Postcolonial Transnationalisms, Migrations and Diasporas Chapter 1 The Cimboa and Cape Verdean Transcultural Heritage The Cimboa: Fulbe Heritage? Mano Mendi and Pascoal Fernandes The Cimboa in Brazil: Gentil do Orocongo Discography Filmography Chapter 2 Lundus, Street Organs, Music Boxes and the ‘Cachucha’: Early Nineteenth-Century Transatlantic Crossings between Europe and Rio de Janeiro Introduction: from ‘Noise’ to Music Written Transmission of the Cachucha Fanny Elssler’s Cachucha The Cachucha in Brazil Written and Oral Transmission: Sheet Music, Manuscripts and Songbooks Spanish Variants of the Cachucha Maria Cachucha in Portugal and Brazil Oral and Aural/Audile transmission: ‘Maria Cachucha’ and ‘Lá no largo da Sé’ The Cachucha in Street Organs and Music Boxes Conclusion: Implications for the History of Recorded Music in Brazil Chapter 3 Música caipira and Rooting Cornélio Pires Sound Recording and Radio Musicalities, Playing Styles, Hybridities Rooting, Singing Histories, New Times Chapter 4 Lusofonia as Intervention: Postcolonial Intercultural Traffic in Lusophone Hip Hop Events Introduction Rápublica and Lisboa 94 Tejo Beat and Expo’98 Lusofonia, a (R)evolução Lusophone Hip Hop Festivals Collaborations between Lusophone Hip Hop Musicians Versos que atravessam o Atlântico (2013) Um brinde à amizade (2012) Mussulo (2014) Argument and Conclusion Discography Chapter 5 ‘A Piece of Brazil in Lisbon’: Brazilian Musical Practices in the Portuguese Capital Chapter 6 ‘Calentando la Ciudad’: Intimacy and Cosmopolitanism among Brazilian Musicians in Madrid Brazilian Music in the City of Fun Intimacy, Cosmopolitanism and Cultural Diversity Playing a Bit of Everything: Brazilian Carnival in Madrid Conclusion Discography Part 2 Relocating Rio de Janeiro Chapter 7 Samba, Its Places and Its City Chapter 8 Between Temple Yards and Hillsides: Rio de Janeiro’s Samba, Its Spaces, Humour and Identity Chapter 9 The Construction of a Canonical Space for Samba and Choro within the Brazilian Social Imaginary Introduction Samba, Choro and the Lapa Neighbourhood: A Brief Historical Overview Samba, Choro and Memory within a Globalized World: The Lapa Cultural Circuit as a Benchmark for ‘Local’ and ‘Quality’ Musical Expression ‘Inner’ Strategies and Narratives of Legitimation The Reinforcement of Legitimacy by Specialist/Academic/Informative Narratives The Reassignment of Meaning by the Consumer Market Conclusion Chapter 10 The National Arts Foundation and the Monumentalization of Rio de Janeiro’s Popular Music as National Heritage Rio de Janeiro: Centre of the Political and Cultural Life of the Country Hermínio Bello de Carvalho’s Administration of FUNARTE and Cultural Policy under the Military Dictatorship Chapter 11 Samba, Anti-Racism and Communitarian Politics in 1970s Rio de Janeiro: Candeia and the Quilombo Project Chapter 12 Samba, Pagode and Mediation: From Backyard to Disc Samba and Mediation The Pagode ‘Movement’ Final Considerations Discography Part 3 Demetropolitanizing the Musical City: Other Scenes, Industries, Technologies Chapter 13 Brazilian Post-Punk in the Catalogue of the Independent Record Company Baratos Afins The Brazilian Recording Industry and Rock in Brazil Baratos Afins – A Specific Model of the Independent Recording Company Post-Punk and the Baratos Afins Catalogue Chapter 14 Música Pesada Brasileira: Sepultura and the Reinvention of Brazilian Sound Beyond the Local and the Global: Intensive Multiplicities Heavy Brazilian Music: Sepultura Discography Chapter 15 Digital Culture, Music Video, and the Brazilian Peripheral Pop Music Scene Introduction I Pop(ular) and Peripheral II The New Environment for the Circulation of Peripheral Pop Music: Social Media Networks, YouTube and Music Videos III Mapping the Actors in the ‘Most Viewed’ Listings Conclusion Chapter 16 An Introduction to the New Social Place of Brazilian Rap: The Work of Emicida Sonho Brasileiro (Brazilian Dream) Boa Esperança (Good Hope) Chapter 17 Another Music in a Different (and Unstable) Room: A Route through Underground Music Scenes in Contemporary Portuguese Society 1 Primordial Trails: From Irrelevance to Consolidation in the Sociological Knowledge of Music 2 Transformational Trails: Changes in Contemporary Portuguese Society 3 Translocal and Transformational Trails: Regarding the Intersections, Hybridism and Singular Contamination of Portuguese Underground Music Scenes 4 Visible Trails, Incessant Paths End Matter References Scores and manuscripts Index

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