This Is Not a Copy: Writing at the Iterative Turn

Description

Contents Figures Acknowledgments Reprint Credits “Plagiarizing well is hard to do”: An Introduction 1. The Iterative Turn The Iterative Turn: An introduction Appropriating originality Postproduction condition: A turn toward iteration The essence of technology at the Iterative Turn (Un)creative writing Copying as a postmodern gesture: J.D. California, 60 Years Later: Coming Through the Rye Copying as a postproduction gesture: Helene Hegemann, Axolotl Roadkill The Iterative Turn: When attitudes become form 2. Erasure Part 1: Writing under Erasure Erasure: The Third Mind aesthetics Erasure at the Iterative Turn Writing sous rature Part 2: Document under Erasure Travis Macdonald, The O Mission Repo M. NourbeSe Philip, Zong! Authoring testimony A documentary turn 3. Transcription Introduction: Writing transcription Kenneth Goldsmith, Day The event: Kenneth Goldsmith, The Day The situation: Kenneth Goldsmith, The Weather The major event: Kenneth Goldsmith, Seven American Deaths and Disasters The return of the real: A repetition Death and disasters: A repetition Making it new, again: Transcription and the visual arts Curating transcription Curating at the Iterative Turn 4. Code Introduction: Writing in an expanded field Writing and technology: “A next staging” Nick Montfort and Stephanie Strickland, Sea and Spar Between Writing: An assemblage Writing in a state of authorship Code: A performance Code: A performance score Electracy: Toward a book to come Notes Introduction Chapter 1 Chapter 2 Chapter 3 Chapter 4 Bibliography Index