Iconology, Neoplatonism, and the Arts in the Renaissance
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Cover Half Title Series Page Title Page Copyright Page Table of Contents List of Figures List of Contributors Introduction 1. Erwin Panofsky’s Idea (1924) 2. “My Friend Ficino”. Art History and Neoplatonism: From Intellectual to Material Beauty 3. Seeing and the Unseen: Marsilio Ficino and the Visual Arts 4. Negotiating Neoplatonic Image Theory: The Production of Mental Images in Marsilio Ficino and Giovan Battista della Porta’s Magic Lamps 5. In Quest of Beauty: Gender Trouble in the Orlando Furioso 6. Neoplatonism and Biography: Michelangelo’s Ganymede before and after Tommaso de’ Cavalieri 7. Botticelli’s Primavera and Contemporary Commentaries 8. “HIC EST HOMO PLATONIS”: Two Embodiments of Platonic Concepts of Man in Renaissance Art 9. Iconology as a Spiritual Exercise: The compositio loci in Ignatius of Loyola 10. Neither Drunk nor Sober: Dionysiac Inspiration and Renaissance Artistic Practices Appendix: Twilight of the Gods for Neoplatonism (1986/1992) Index
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