ENGLISH

The Forms of Michael Field

By LeeAnne M. Richardson

Book information

Publisher
Palgrave Macmillan
Year
2021
ISBN
3030861252, 9783030861254
Language
english
Format
PDF
Filesize
3 MB (2954459 bytes)
Series
Palgrave Studies in Nineteenth-Century Writing and Culture
Pages
293\288
Topic
Literature
Time added
2022-01-06 13:16:19

Description

Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field’s cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field’s continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority. Acknowledgments Contents List of Figures Chapter 1: Introduction Forming Michael Field’s Life and Career New Formalism and Michael Field Organization of This Study Chapter 2: Forming Michael Field Becoming Michael Field New Lyric/New Formalism Michael Field’s Forms of Sexuality and Gender Performance Michael Field and Religion Michael Field, the Poetess, and the New Woman Michael Field, Aestheticism, and the Modern Chapter 3: Verse Tragedy/Closet Drama: Callirrhoë (1884) The Affordances of Dramatic Form Lyrics and Songs The Faun and Machaon Becoming Michael Field Chapter 4: Songs: Underneath the Bough (1893/1898) Lyric Theory/Song Theory The Literary Context of Underneath the Bough Why Revise and Decrease? Revising and Reducing, and Rethinking the Format Michael Field’s Evolving Persona Coda: The American Edition and the Canon Chapter 5: The Masque: Noontide Branches (1899) The “sweet June-warm woman” Versus “Sweet Liberty” The Form of the Masque Reflection, Refraction, and Mirroring Techniques Unrequited Love and Masculine Bonds Perspective and Perception The Triumph of Love and the Losses That Follow Chapter 6: Sonnets and Sonnet Sequences: Wild Honey from Various Thyme (1908) “Sonnettomania” Wild Honey’s Shorter Sonnet Sequences The Neo-Wordsworthian Nature Sequence “The Longer Allegiance” Love Sonnets Chapter 7: Devotional Poetry: Poems of Adoration (1912) Writing Devotional Poetry and Becoming Michael Field Analogical Thinking from Bacchus to Jesus Analogical Thinking in Poems of Adoration Forms of Devotional Poetry “A Dance of Death” in Poems of Adoration Martyrs in Poems of Adoration Sacrifice, Martyrdom, and Poetic Identity Chapter 8: Devotional Poetry II: Mystic Trees (1913) Literary Decadence Decadent Rhythm and Rhyme in Mystic Trees Identity/Trinity/Duality Chapter 9: Conclusion Bibliography Index

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