The Migrant's Time: Rethinking Art History and Diaspora
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A related conference, "Art History and Diaspora: Genealogies, Theories, Practices," was held Apr. 25-26, 2008 at the Clark Art Institute, Williamstown, Mass. Cover Contents Introduction Part One: Mapping Migration The Migrant’s Time The Art of Displacement: Mona Hatoum’s Logic of Irreconcilables Erase and Rewind: When Does Art History in the Black Diaspora Actually Begin? Globalization, Modernity, and the Avant-Garde Part Two: Dialectics of Displacement Migration, Law, and the Image: Beyond the Veil of Ignorance From Diaspora to Exile: Black Women Artists in 1960s and 1970s Europe A Building with Many Speakers: Turkish “Guest Workers” and Alvaro Siza’s Bonjour Tristesse Housing for IBA—Berlin Sea Dreams: Isaac Julien’s Western Union: Small Boats Locating World Art Part Three: Modes of Engagement Cosmopolitanism Assemblages Art Zarina Hashmi and the Arts of Dispossession Flash in the East, Flash in the West Running the Earth: Jun Nguyen-Hatsushiba’s Breathing is Free: 12,756.3 Transaesthetics in the Photographs of Shirin Neshat Contributors
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