ENGLISH

Theatre, Performance and Cognition: Languages, Bodies and Ecologies

By Rhonda Blair; Amy Cook

Book information

Publisher
Bloomsbury Methuen Drama
Year
2016
ISBN
9781472591791, 9781472591784, 9781472591821, 9781472591814
Language
english
Format
PDF
Filesize
2 MB (2446676 bytes)
Pages
\257
Time added
2023-05-22 04:36:30

Description

Theatre, Performance and Cognition introduces readers to the key debates, areas of research, and applications of the cognitive sciences to the humanities, and to theatre and performance in particular. It features the most exciting work being done at the intersection of theatre and cognitive science, containing both selected scientific studies that have been influential in the field, each introduced and contextualised by the editors, together with related scholarship from the field of theatre and performance that demonstrates some of the applications of the cognitive sciences to actor training, the rehearsal room and the realm of performance more generally. The three sections consider the principal areas of research and application in this interdisciplinary field, starting with a focus on language and meaning-making in which Shakespeare's work and Tom Stoppard's Arcadia are considered. In the second part which focuses on the body, chapters consider applications for actor and dance training, while the third part focuses on dynamic ecologies, of which the body is a part. Title Page Copyright Page Contents List of Figures List of Contributors Acknowledgements Introduction The cognitive science(s)1 Goals and caveats A topography of where we’ve been The book in your hands Part 1 Cognitive Linguistics, Theatre and Performance Chapter 1 Multimodality and Theatre: Material Objects, Bodies and Language The multimodality of theatre Theatre and narrative structure The language of the stage The meanings of materiality Caesar’s mantle Richard’s crown and the broken mirror Conclusion Chapter 2 Doth Not Brutus Bootless Kneel? Kneeling, Cognition and Destructive Plasticity in Shakespeare’s Julius Caesar1 Flexibility, plasticity and habits of the bended back in early modern texts Audiences, perspective and being bowed to in the Globe and beyond Are we all ready? Chapter 3 Performance, Irony and Viewpoint in Language Irony and drama Varieties of irony and the linguistic tradition Irony as a viewpoint phenomenon Situational ironies and beyond A Response: The Performing Mind Methods Big ecologically valid data Part 2 Bodies in Performance Chapter 4 The Olympic Actor: Improving Actor Training and Performance Through Sports Psychology Introduction Power posing Mental imagery Self-talk Conclusion Chapter 5 Becoming Elsewhere: ArtsCross and the (Re)location of Performer Cognition Chapter 6 Training, Insight and Intuition in Creative Flow Introduction: Ignorance as bliss Becoming the spontaneous strategist Autonomy in cognitive processing Enactivist model of skill in sense-making Training for disciplinary enculturation Skill and insight in flow Cultivating flow through mindful practice A Response: The Body in Mind Part 3 Situated Cognition and Dynamic Systems: Cognitive Ecologies Chapter 7 Distributed Cognition, Mindful Bodies and the Arts of Acting Distributed? Cognition? Chapter 8 The Historical Body Map: Cultural Pressures on Embodied Cognition Chapter 9 Another Way of Looking:Reflexive Technologies and How They Change the World Post-phenomenology and technological deployments Grammar Reflexivity A New Aesthetic A Response: Mapping the Prenoetic Dynamics of Performance After Words Origin stories An origin story An origin story The rehearsal lab Appendix: Abstracts of a Few Influential References Notes Introduction Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 6 Chapter 7 Chapter 8 Chapter 9 References Index

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