The Upright Brush: Yan Zhenqing's Calligraphy and Song Literati Politics
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Description
Arguing for the political rather than purely aesthetic basis for Yan Zhenqing's (709-785) reputation in Chinese calligraphy, the text posits that it was due to a handful of influential and well-educated men in the 11th century, who sought advancement by associating themselves with Yans' reputation. Contents List of Figures Acknowledgments Introduction The Politics of Calligraphy Yan Zhenqing's Illustrious Background and Early Career The Nest Tipped and the Eggs Overturned: The An Lushan Rebellion Partisan Politics at the Postrebellion Court From Daoist Inscriptions to Daoist Immortal Buddhist Companions and Commemoration The Late Style of Yan Zhenqing Confucian Martyrdom Notes Bibliography Index About the Author
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