ENGLISH

From the chanson française to the canzone d'autore in the 1960s and 1970s: Authenticity, Authority, Influence

By Rachel Haworth

Book information

Publisher
Routledge
Year
2016
ISBN
1409441733, 9781409441731
Language
english
Format
PDF
Filesize
1 MB (1324595 bytes)
Series
Ashgate Popular and Folk Music Series
Edition
1
Pages
212\212
Time added
2021-12-29 21:50:04

Description

The similarities between the chanson française and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are enduringly popular, still accounting for a large proportion of record sales in their respective countries. Rachel Haworth looks beyond these superficial similarities, and investigates the nature of the relationship between the two genres. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Haworth considers the different ways in which French and Italian song is thought about, written about and constructed. Through an in-depth study of the discourse surrounding chanson and the canzone d'autore, the volume analyses the development of the genres' rules and rhetoric, identifying the key themes of Authority, Authenticity and Influence. The book finally considers the legacy of major artists, looking at modern perspectives on Georges Brassens, Jacques Brel, Léo Ferré, Fabrizio De André and Giorgio Gaber, ultimately affording a deeper understanding of the notions of quality and value in the context of chanson française and the canzone d'autore. Cover Contents General Editors’ Preface Preface and Acknowledgements Introduction 1 Thinking the chanson française and the canzone d’autore 2 Writing about chanson in the 1950s and 1960s 3 Brassens, Brel and Ferré as Paradigms of chanson 4 Brassens, Brel and Ferré in Their Own Words 5 Italian Popular Music Prior to 1960: The Sanremo Festival and the Cantacronache 6 Italian Popular Music Discourse in the 1960s and 1970s 7 Relationships and Influences between the cantautore and theauteur‑compositeur‑interprète: Fabrizio De André and Georges Brassens 8 Relationships and Influences between the cantautore and theauteur‑compositeur‑interprète: Giorgio Gaber and Jacques Brel 9 Contemporary Perceptions of the chanson française and the canzone d’autore Conclusion Authenticity, Authority and Influence in the Context of the chanson française and the canzone d’autore Bibliography Index

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